| 1 | Sep 03, 1999 | PyramidEye-AT-aol.com | indie sets | 21 |
| 2 | Sep 04, 1999 | Dejan Drobnjak | Re: indie sets | 18 |
| 3 | Sep 04, 1999 | PyramidEye-AT-aol.com | Re: indie sets | 25 |
| 4 | Sep 04, 1999 | Marco Bakera | Re: indie sets | 40 |
| 5 | Sep 11, 1999 | Dr. Nina Zimnik | Romy Schneider | 22 |
| 6 | Sep 04, 1999 | MFRANK-AT-lnmta.bentley.edu | Re: indie sets | 27 |
| 7 | Sep 05, 1999 | Alejandro Iglesias | information about bergman | 167 |
| 8 | Sep 05, 1999 | PyramidEye-AT-aol.com | Re: indie sets | 12 |
| 9 | Sep 05, 1999 | Marcos Tadeu | Citizen Kane | 15 |
| 10 | Sep 05, 1999 | MFRANK-AT-lnmta.bentley.edu | Re: Citizen Kane | 27 |
| 11 | Sep 05, 1999 | Dejan Drobnjak | Re: Citizen Kane | 46 |
| 12 | Sep 05, 1999 | Marcos Tadeu | Re: Citizen Kane | 41 |
| 13 | Sep 05, 1999 | Dennis Calloway | Re: Citizen Kane | 33 |
| 14 | Sep 05, 1999 | MFRANK-AT-lnmta.bentley.edu | Re: Citizen Kane | 30 |
| 15 | Sep 05, 1999 | JRe9272856-AT-aol.com | Re: Citizen Kane | 17 |
| 16 | Sep 05, 1999 | Alejandro Iglesias | =?iso-8859-1?Q?studies_about_begman=B4s_films?= | 65 |
| 17 | Sep 05, 1999 | Marco Bakera | Re: indie sets | 23 |
| 18 | Sep 05, 1999 | Cary Hazelwood | Re: Citizen Kane | 38 |
| 19 | Sep 05, 1999 | MFRANK-AT-lnmta.bentley.edu | Re: indie sets | 30 |
| 20 | Sep 05, 1999 | rachel | Re: Citizen Kane | 51 |
| 21 | Sep 06, 1999 | John Nikolakopoulos | touch of evil | 17 |
| 22 | Sep 07, 1999 | baruch | architecture in cinema | 59 |
| 23 | Sep 07, 1999 | baruch | =?iso-8859-8-i?B?5PLh+OQ6IGFyY2hpdGVjdHVyZSBpbiBjaW5lbWE=?= | 84 |
| 24 | Sep 07, 1999 | Mr. Man | Re: architecture in cinema | 25 |
| 25 | Sep 07, 1999 | XXFOXY40XX-AT-aol.com | film: art & life | 54 |
| 26 | Sep 07, 1999 | margaret ervin bruder | Re: architecture in cinema | 19 |
| 27 | Aug 12, 1999 | Dr. Nina Zimnik | Re: architecture in cinema | 58 |
| 28 | Sep 07, 1999 | DHHunter-AT-aol.com | Re: architecture in cinema | 24 |
| 29 | Sep 07, 1999 | JRe9272856-AT-aol.com | Re: architecture in cinema | 21 |
| 30 | Sep 08, 1999 | Markus Wiemker | Re: indie sets | 21 |
| 31 | Sep 08, 1999 | Mr. Man | documentary film making | 20 |
| 32 | Sep 08, 1999 | Debbie Cartmer | Re: documentary film making | 22 |
| 33 | Sep 08, 1999 | MFRANK-AT-lnmta.bentley.edu | elementary query | 21 |
| 34 | Sep 08, 1999 | Erstarr-AT-aol.com | Re: Citizen Kane | 15 |
| 35 | Sep 08, 1999 | Erstarr-AT-aol.com | Re: film: art & life | 21 |
| 36 | Sep 08, 1999 | jjdowd | Re: Citizen Kane | 44 |
| 37 | Aug 13, 1999 | Dr. Nina Zimnik | Re: architecture in cinema | 42 |
| 38 | Aug 13, 1999 | Dr. Nina Zimnik | how to break copy protection | 20 |
| 39 | Sep 09, 1999 | Debbie Cartmer | Re: how to break copy protection (fwd) | 25 |
| 40 | Sep 08, 1999 | Julia C. Rice | Re: elementary query | 34 |
| 41 | Sep 08, 1999 | MFRANK-AT-LNMTA.bentley.edu | Re: Citizen Kane & elitism | 41 |
| 42 | Sep 08, 1999 | MFRANK-AT-LNMTA.bentley.edu | Re: Citizen Kane | 21 |
| 43 | Sep 09, 1999 | ma-AT-panix.com | Re: how to break copy protection (fwd) | 19 |
| 44 | Sep 09, 1999 | Ruth Marler | Re: how to break copy protection | 33 |
| 45 | Sep 09, 1999 | Debbie Cartmer | Re: how to break copy protection (fwd) | 35 |
| 46 | Sep 09, 1999 | ma-AT-panix.com | Re: how to break copy protection (fwd) | 22 |
| 47 | Sep 09, 1999 | Dr. Nina Zimnik | Re: how to break copy protection (fwd) | 33 |
| 48 | Sep 09, 1999 | Wathen, Adam | RE: how to break copy protection (fwd) | 68 |
| 49 | Sep 09, 1999 | Sarah Lockhart | Re: how to break copy protection (fwd) | 33 |
| 50 | Sep 09, 1999 | Wathen, Adam | RE: how to break copy protection (fwd) | 66 |
| 51 | Sep 09, 1999 | Debbie Cartmer | Re: how to break copy protection (fwd) | 61 |
| 52 | Sep 09, 1999 | Wathen, Adam | Copyright links | 29 |
| 53 | Sep 09, 1999 | Kirk Johnson | Re: how to break copy protection (fwd) | 23 |
| 54 | Sep 09, 1999 | DHHunter-AT-aol.com | Re: Re: architecture in cinema | 53 |
| 55 | Sep 09, 1999 | Dr. Daniel Carras | Re: how to break copy protection (fwd) | 62 |
| 56 | Sep 09, 1999 | Kirk Johnson | Re: how to break copy protection (fwd) | 41 |
| 57 | Sep 10, 1999 | Sean Farrell | more to Rushmore than meets the eye? | 46 |
| 58 | Sep 09, 1999 | ma-AT-panix.com | Re: how to break copy protection (fwd) | 40 |
| 59 | Sep 09, 1999 | Dr. Nina Zimnik | copy protection/Tarantino,Pam Grier | 103 |
| 60 | Sep 10, 1999 | Kirk Johnson | Re: how to break copy protection (fwd) | 22 |
| 61 | Sep 11, 1999 | Matthew Hoad-Robson | copy protection | 20 |
| 62 | Sep 11, 1999 | Matthew Hoad-Robson | Scripts, 8mm film | 30 |
| 63 | Sep 09, 1999 | Dr. Nina Zimnik | Re: how to break copy protection (fwd) | 37 |
| 64 | Sep 11, 1999 | Kevin Forde | Re: more to Rushmore than meets the eye? | 76 |
| 65 | Sep 11, 1999 | David Kodeski | Re: more to Rushmore than meets the eye? | 16 |
| 66 | Sep 11, 1999 | Sean Farrell | Re: more to Rushmore than meets the eye? | 115 |
| 67 | Sep 10, 1999 | Marco Bakera | Re: how to break copy protection (fwd) | 32 |
| 68 | Sep 10, 1999 | Marco Bakera | Re: how to break copy protection | 32 |
| 69 | Sep 10, 1999 | Marco Bakera | Re: indie sets | 38 |
| 70 | Sep 11, 1999 | Dr. Daniel Carras | Re: copy protection | 45 |
| 71 | Sep 11, 1999 | Dr. Daniel Carras | Re: how to break copy protection (fwd) | 43 |
| 72 | Sep 11, 1999 | Dr. Nina Zimnik | omniscient narration in film | 20 |
| 73 | Sep 12, 1999 | Marco Bakera | Re: Scripts, 8mm film | 46 |
| 74 | Sep 13, 1999 | afarrell-AT-altavista.net | xxxxxxx | 14 |
| 75 | Sep 13, 1999 | Sean Farrell | Re: Murray, flicks (was: Rushmore.....) | 55 |
| 76 | Sep 13, 1999 | Jaeowens-AT-aol.com | Re: RE: how to break copy protection (fwd) | 30 |
| 77 | Sep 13, 1999 | Jaeowens-AT-aol.com | Re: how to break copy protection (fwd) | 35 |
| 78 | Sep 13, 1999 | Jaeowens-AT-aol.com | Re: copy protection | 34 |
| 79 | Sep 13, 1999 | A. Ferraiolo | Re: copy protection | 30 |
| 80 | Sep 13, 1999 | Dr. Daniel Carras | Re: how to break copy protection (fwd) | 66 |
| 81 | Sep 14, 1999 | Mark Jancovich | Re: Murray, flicks (was: Rushmore.....) | 68 |
| 82 | Sep 14, 1999 | afarrell-AT-altavista.net | xxxxxxx | 12 |
| 83 | Sep 16, 1999 | Marco Bakera | Re: how to break copy protection (fwd) | 40 |
| 84 | Sep 16, 1999 | Marco Bakera | Lost Highway | 32 |
| 85 | Sep 15, 1999 | David Kodeski | Re: Lost Highway | 29 |
| 86 | Sep 15, 1999 | David Kodeski | Re: | 44 |
| 87 | Sep 16, 1999 | Robert Blanchet | Re: Lost Highway | 25 |
| 88 | Sep 16, 1999 | Marco Bakera | Re: how to break copy protection (fwd) | 30 |
| 89 | Sep 16, 1999 | Marco Bakera | Re: how to break copy protection (fwd) | 35 |
| 90 | Sep 16, 1999 | Kevin Forde | Re: Lost Highway | 487 |
| 91 | Sep 16, 1999 | Amanda Lubert | Call for Entries! | 66 |
| 92 | Sep 16, 1999 | Dr. Daniel Carras | Re: how to break copy protection (fwd) | 49 |
| 93 | Sep 17, 1999 | Markus Wiemker | Re: Cronenberg`s eXistenZ | 20 |
| 94 | Sep 17, 1999 | Mark Jancovich | Re: Cronenberg`s eXistenZ | 46 |
| 95 | Sep 17, 1999 | Marco Bakera | Re: Lost Highway | 35 |
| 96 | Sep 17, 1999 | David Kodeski | Re: Lost Highway | 55 |
| 97 | Sep 17, 1999 | Chad McMahill | Re: Lost Highway | 45 |
| 98 | Sep 19, 1999 | Marco Bakera | Re: how to break copy protection (fwd) | 32 |
| 99 | Sep 19, 1999 | Marco Bakera | Re: Lost Highway | 49 |
| 100 | Sep 19, 1999 | Marco Bakera | Re: Lost Highway | 44 |
| 101 | Sep 21, 1999 | David Kodeski | Re: Lost Highway | 36 |
| 102 | Sep 21, 1999 | Amanda Lubert | Psychological Thrillers | 53 |
| 103 | Sep 23, 1999 | Marco Bakera | Re: Lost Highway | 29 |
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