From: mjm <mmoynihan-AT-wi.rr.com> Date: Thu, 26 Jan 2006 14:56:09 -0600 To: puptcrit-AT-lists.driftline.org Subject: Re: [Puptcrit] Jay Johnson- The 2 & Only I respectfully disagree. From the L.A. Times: "LOS ANGELES, Aug. 30, 2005 =96 The Los Angeles Times has named Charles McNulty as theater critic, it was announced today by John Montorio, deputy managing editor for features." He was not hired as a mere "reviewer" but as a "Critic". I've already written regarding the difference. The fact that the editor may not know the difference is not the fault of any performing artist. Also my own experience is that organized confronting & challenging of the newspaper management can make a difference. A story: The main (and now only) daily in Milwaukee is the Milwaukee Journal Sentinel. The reviewer/theatre critic there is a guy who I actually enjoy discussing stuff with in person, but a pretty unqualified and incompetent reviewer/critic. A large (as in well funded) theatre company (that employs puppets in many productions) that I have done some writing and directing work for does some shows that include Equity actors, non union actors as well as school age kids in the casts (all shows have double casting of kids). This MJS writer had an agenda. he held that the Theatre should not call itself professional because it used kids in public shows. He harped on this often in reviews. The theatre's Managing Director, Artistic Director and Board President requested and got a meeting with the MJS Editorial Board. They did not go in hat in hand. They read the riot act to the Ed. Board and told them in no uncertain term that they did not want this guy to ever review one of their shows. This was probably a decade ago and the shows were covered by other MJS writers for at least 5 years. When the guy was allowed to write again, not a word about his professional/kids issue was ever mentioned again. In other words, while the MJS still does not employ and actual Theatre Critic, the reviewer they do employ has been trained thru activism from the artists. What he or you or I like is not what Published criticism should ever be about. What's the old saying? "Opinions are like axxhxxxs... everyone's got one." =96 Art Blakey (Jazz Messengers great). Having an opinion hardly qualifies someone as a professional Critic. L.A. performing artists and Theatre organizations should support Mr. Johnson & confront & challenge Charles McNulty & John Montorio. mjm On Jan 26, 2006, at 1:22 PM, Cahebay-AT-aol.com wrote: > Not taking any sides, but he was hired to give his view of what he > saw and > he did > like it or not, this is how he feels and all reviewers are the same. > Maybe his performance that night was not up to par and resulting in > this > review > If you see it from the normal world (non-vents) it is strange for > mostly > middle age men > to stick their hands in the butt of a doll and talk to it, and have > the > doll talk back. > You will not get anywhere trying to stifle his views as he has a > right to > state them as > you are doing here, attacking him for saying something you do not > agree > with, No letter > campaigns will make a bit of difference, as not a thing libelous or > slanderous was stated > Regards > Mark _______________________________________________ List address: puptcrit-AT-lists.driftline.org Admin interface: http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org Archives: http://www.driftline.org
Display software: ArchTracker © Malgosia Askanas, 2000-2005