From: "Ken Berman" <dramatontheater-AT-hotmail.com> To: puptcrit-AT-lists.driftline.org Date: Mon, 31 Jul 2006 02:21:45 +0000 Subject: Re: [Puptcrit] Light Curtains without Velvet Malgosia, please help me post this if it comes across with richtext problems, thank you. Liz: Check out Berensteins in NYC, on 39th & 8th, in the heart of the fabric district. I just purchased 10 yards of triple-black velvet from them, also known as "dead black" by magicians, because it is supposedly the most "invisible" velvet available. It really is the most non-reflective velvet I have ever seen, especially if the nap is downward on the body. Berensteins is a wholesale vendor, but they are really accomodating to the individual, and are the only fabric sellers I have found in NYC who have triple velvet. This I discovered after much research - and after many false alarms with other stores (some say what they are showing you is triple velvet, but are not sure themselves, or not truthful). Berenstein's pricing, being that they are wholesalers, is not set for individuals, so it is open to some negotiation when you walk in. The price was $12/yard, but it is cheaper still if you buy more. Originally they were going to charge me $10/yd for 12 yards. I am sure you can work an excellent deal with them, especially if you tell them you came up from Philadelphia to buy specifically from them because of a recommendation you received about them from another puppeteer, and if you want to purchase 40 yards. Here is the link: http://www.berensteintextiles.com/tripvel.html Also, be aware that their location is inside a larger building on an upper floor - not a storefront, because there are several storefront businesses in a row who share their address, including other fabric stores who might casually lead you to believe they are Berensteins. Call me if you plan to go, so I can help in any way. Ken Ken Berman Dramaton Theater ----Original Message Follows---- From: "Marie Buga" <mbuga-AT-rpl.regina.sk.ca> Reply-To: puptcrit-AT-lists.driftline.org To: puptcrit-AT-lists.driftline.org Subject: Re: [Puptcrit] Light Curtains without Velvet Date: Sun, 30 Jul 2006 15:19:58 -0600 (CST) > Excellent advice! Coming from long experience, I don't doubt, and standing well back and looking at how things actually work or not . I had thought of having our light proscenium painted black but you have warned me off in the nick of time. Our back drop and side curtains are a deeply napped black velvet and, I guess, the lights are just the right distance from them. I agree with you as regards a masked puppeteer but suggest the use of a lightweight, stretchy cap pulled well down on the forehead (alright, it's the top half of a pair of old tights, with the legs used to cover the arms) A black velvet glove (lucky find; I bought 5 pairs) for handling props - like helping a puppet drink from a wine glass. We perform for children (mostly) so you are made instantly aware of any lapses in technique but the important thing is the story. If the story is strong enough, the audience will see what you indicate is there and whatever doesn't belong is overlooked. If a puppeteer is partially visible (a tall puppeteer with large luminous eyes who looms above the playboard, just have them always look at the puppet; they become invisible - a trick also used by the witches in Philip Pulman's Golden Compass trilogy) I imagine that even cheap velvet (or velveteen) is better than > other fabrics. However, there are other factors that affect the final > result; > > - The further away the back curtain is, the less light it will receive. > > - If there is a black floor (both puppet and puppeteer floor) the > back curtain will get less ambient light bouncing off the floor. > > - If the lights are well controlled, with no spill, then there is > less ambient light. > > - If there is a light colored proscenium opening, then the audience > will have a harder time seeing the black items on stage. I think this > is the most important trick to getting good results. > > - Even if you don't have a velvet back curtain, having the > puppeteers in black will really help hide them. > > - I think visible puppeteers are acceptable as long as you've > trained the audience to accept them, or staged your play so that the > puppeteer is understood to be a part of the production. I think your > "Its Amazing" production was a good example of that. The mistake > I've sometimes seen, is for a visible puppeteer to suddenly be used > part way into the production. > > - For visible puppeteers to hide in the mind's eye, there needs to > be a clear indication to the audience when the puppeteer is not going > to do anything interesting. Applause Unlimited's "Peter and the > Wolf" is a good example. The puppeteer/actors were very vocal in the > beginning with the clown routine, but when they transitioned to > puppeteer, it was very clear, there wasn't any competition for the > audience's attention. > > - One technique, which I like a lot, is a low proscenium that > sort-of hides the puppeteers face. I think the first time I noticed > this technique was David Simpitch's, "Hans Christian Anderson." He > was even in costume. But by being out of the main light and with his > face up in the clutter of the proscenium, he was not noticed. > > - Personally, I've never liked the idea of a visible, but hooded > puppeteer. I feel the hood actually attracts attention and convey's > bad feelings, since the only other place we see people hooded is for > execution or to commit crimes. > > Joe Dunfee joe-AT-dunfee.com > Gordonville, Pennsylvania, U.S.A. > > _______________________________________________ > List address: puptcrit-AT-lists.driftline.org > Admin interface: > http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org > Archives: http://www.driftline.org > _______________________________________________ List address: puptcrit-AT-lists.driftline.org Admin interface: http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-lists.driftline.org Admin interface: http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org Archives: http://www.driftline.org
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