Date: Tue, 31 Oct 2006 23:00:08 -0600
From: Andrew <puppetvision-AT-gmail.com>
To: puptcrit-AT-lists.driftline.org
Subject: Re: [Puptcrit] The Two Types of Puppeteers


I've noticed this too. I've run in to actor who couldn't deal with the fact
that the audience paid attention to the puppet and not them (or was supposed
to anyway).

Dancers often make great puppeteers.

- Andrew

On 10/31/06, puptcrit-request-AT-lists.driftline.org <
puptcrit-request-AT-lists.driftline.org> wrote:
>
> Message: 1
> Date: Mon, 30 Oct 2006 20:54:52 -0500
> From: "Fall, Brigid" <brigid.fall-AT-toledolibrary.org>
> Subject: Re: [Puptcrit] The Two Types of Puppeteers
> To: <puptcrit-AT-lists.driftline.org>
> Message-ID:
>         <
> 3505ABEDDDF20D46867D93E5B2C2CFAB0110866F-AT-exchange.tlc.lib.oh.us.local>
>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> Funny. I have always found actors the most difficult people to train
> to use puppets and objects. For so many on them it is impossible to
> let go of the need to find the light,
>
>
>
> Hi, Finn & All:
>
> Many actors make very poor storytellers, too, and for the same
> reason.  They just can't seem to step back and let the story take center
> stage.
>
>
>
> My two cents,
>
> Brid in Toledo
>
>
>
>
-- 

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