Date: Tue, 5 Dec 2006 16:10:26 -0500 To: puptcrit-AT-lists.driftline.org From: "Alan Cook" <alangregorycook-AT-msn.com> Subject: [Puptcrit] Douglas Christopher Burnham's CARMEN on e-bay On page 230 of ART OF THE PUPPET by Bil Baird is a photo of Frank Paris with his CARMEN. If you have a copy, take a peek. Over the years, his Carmen had 4 or 5 different costumes.The last puppet recostuming Frank did was for this same puppet. He had asked Carmen Miranda for permission to do a marionete portrait of her, and her costumer gave Frank a watercolor costume rendering for reference. That is in our collection. When the portrait was finished, Frank showed the puppet to Carmen backstage at the Pantages Theatre in Downtown Los Angeles. She asked her orchestra conductor in Portuguese what he thought. The Conductor answered in Portuguese, "it flatters you". Frank had worked in South America and understood those phrases. In English, Frank said "it was meant to" (flatter you). Frank's Carmen has CLOTH ARMS. Douglas Christopher Burnham's Carmen according to the curent seller, has wood body parts and is shorter if my memory is accurate on that point. It is the same puppet exhibited in the Studio City restaurant where Doglas last performed. The attached photos may help, but the b/w photo is from Bil's book, half-tone dots and all. I don't have ready access at this moment to my copy of the original 8x10 photo (copies of which have shown up on e-bay). The seller is being pig-headed. I note that seller mentions that some early puppeteers had duplicates, even with different facial expressions. Well some contemporary puppeteers do too, but that has NOTHING to do with either Frank Paris' or Douglas Burnham's versions of Carmen Miranda. I have seen both versions and handled both versions, and I handed Frank's Carmen to him from stage wings on many occasions, including Puppeteers of America Fesivals. Frank's audiences included many celebrities, but he was most nervous when his sister was in the audience as she was at th PofA Fest in Lubbock TX (where I handed Frank the "next" puppet and received the puppet he had just operated.) Even watching him from that close, his performance was magical. I knew I was in the presence of a real Master Puppeteer. Afterward, Nancy Staub commented that"he still had it" and she was absolutely right. And his sister Jane told me, "I don't know why he was so nervous with me in the audience...I've seen it before." Well, I have a sister too, and she may have seen one or two of my exhibits, but they were not as high on her priority list as puppet exhibits are on my priority list. There is a little information about Douglas Christopher Burnham at <http://www.ci.sat.tx.us/art/website/PDFs/Southside_rtf.pdf>www.ci.sat.tx.us/art/website/PDFs/Southside_rtf.pdf You will need to scroll down several page to "Yurri-Edmunds Mill", paragraph #4. Douglas maintained his puppet studio in an historic San Antonio Tx neighborhood for about 2 years after his stint with the Krofft Puppets at Hemisfair came to a close. Steve Abrams tracked down a credit for Douglas Christopher Burnham as a dancer in "Around The World in 80 Days (the Todd A0 Movie. One thing continues to bug me---Frank Paris' obit from the Los Angeles Times has NOTHING to do with Douglas' Carmen, but that framed obit has accompanied Douglas' puppet as "evidence" that Frank made Doug's puppet. I personally sent Frank's photo and biographical information to the Los Angeles Times, and I do not appreciate seeing it MIS-USED in this manner. All this is an annoying reminder that MOST puppet "information" is skewed on e-bay Buyer Beware! ALAN COOK [ For the two photos mentioned above, see: http://www.driftline.org/puptcrit/Frank_Paris_&_Carmen_100dpi.tiff and http://www.driftline.org/puptcrit/Douglas Christopher-Burnham Carmen.jpg ] _______________________________________________ List address: puptcrit-AT-lists.driftline.org Admin interface: http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org Archives: http://www.driftline.org
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