From: "William Hennes" <williamhennes-AT-charter.net> To: <puptcrit-AT-lists.driftline.org> Date: Tue, 6 Mar 2007 22:26:14 -0800 Subject: Re: [Puptcrit] Paper Mache Strips I must admit I have not created anything with paper mache in a long time. I jumped right into the latex, silicone, foam latex, etc... But seeing your art and craft Mathieu, has given me inspiration to try it. William ----- Original Message ----- From: "Mathieu René" <creaturiste-AT-magma.ca> To: <puptcrit-AT-lists.driftline.org> Sent: Tuesday, March 06, 2007 8:02 PM Subject: [Puptcrit] Paper Mache Strips > Hi all. > > It's been a while since I tried to push my second agenda (first is > spreading puppetmaking), paper mache strips, onto the group. > > Well, I've got news for ya: not many supplies are as amazing, versatile, > as strong and as lightweight as paper mache strips, when they are well > done. How many of those toxic expensive supplies are able when made into a > puppet head, to withstand without dammage, being thrown violently agaisnt > a concrete wall? > I'll admit that this is not the usual use of puppets anyway, but is it not > reassuring to know that your puppets will last a very long time, and > withsand lots of accidents before they have to be repaired? > > I used to hate paper mache in any form: too lumpy, too hard to control, > too much warping, and WAY too fragile. > Well, I solved all these problems in a few years of research, both online, > in books, and of course by trying lots of things. I improve my method on > average every three months. I can'te ven start to imagine how much > stronger and refined my creations will be in a year! Now that I use > negative molds, I can have a smoothness I never even knew was possible > with paper strips. > > If anybody has questions,or need pointers about paper mache strips, start > asking questions. > > I'd love to start talking about it again on Puptcrit, and see what others > have come up with. > > To start, here are the basic principles for a real strong and durable > paper mache strip project: > -better paper: stronger but thinner, very soft when crumpled, even more so > when moistened. (ex: 30lbs Kraft) > -better glue: good quality white glue. Slightly dilute with water, to > allow it to penetrate the paper. > -using less glue (too much makes it brittle, lumpy, and the surface may be > uneven due to shrinkage). > -Using less water (excess moisture causes warping and shrinking) > -press each layer down carefully, using fingers, then a hard smooth tool > -more layers (I usually do about 5 to 8 layers, depending on what the > object will have to live through). > -bouncy result (if it flexes a bit, it will absorb the shock instead of > breaking). > > > That Polichinelle glove puppet I'm still working on will be too strong for > humanity's own good. Such a rascal, to be so though headed, I can smell > troubles! > > I tend to make my creations stronger than they need to be. I've had this > "condition" ever since that time I accidentally stepped on my first > complete hand puppet (Gregor, the reformed devil) and its ear broke off. > It was made of Celluclay pressed into a mold I had made of plaster. > I just added a bit of white glue on the edges and held with masking tape > until strong again. It lasted for the remainder of my trip, and once home > I repaired with more celluclay. > > My snack time is over, I gotta get back to the PM strip applying session. > > > > > > > _______________________________________________ > List address: puptcrit-AT-lists.driftline.org > Admin interface: > http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org > Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-lists.driftline.org Admin interface: http://lists.driftline.org/listinfo.cgi/puptcrit-driftline.org Archives: http://www.driftline.org
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