From: "Kismet" <kismet-AT-bigpond.net.au> To: <puptcrit-AT-puptcrit.org> Date: Mon, 3 Mar 2008 13:38:53 +1000 Subject: Re: [Puptcrit] Head ring puppet control from India/ a Otome Bunraku is similar but smaller puppets with the puppeteers knees operating the feet and their waist supporting the puppet body D. ----- Original Message ----- From: "Alan Cook" <alangregorycook-AT-msn.com> To: <puptcrit-AT-puptcrit.org> Sent: Monday, March 03, 2008 11:18 AM Subject: [Puptcrit] Head ring puppet control from India/ a Japaneseparallel--- Technique/constrution/Art >A somewhat similar device is used in Japan on "wheel puppets", basically a >one-person Bunraku puppet. A head string roughly from the puppet's left ear >extends to a point roughly near the puppeteer's left ear, and another >string from the puppet's right ear goes to the area of the puppeteers right >ear. So when the puppeteer looks to the left, so does the puppet. The >puppeteer sits on a rolling seat, (hence "wheel puppet") and the seat also >contains a vertical support rod for the torso of the puppet. With special >shoes worn by the puppeteer, attached by short rods to each heel of the >puppet's feet, the puppeteer can animate the puppet feet. > > The puppeteer's hands are used to move the puppet hands. > > Part of the fun in collecting puppet books and puppets and seeing > different puppet shows from around the world is discovering the multitude > of ways to animate a figure. > > But as with ANY technical advance or variation, what the puppeteer DOES > with it remains supremely important in performance. > > In my Junior High School days, we were fascinated by how things worked > (not JUST puppets, but INCLUDING puppets) in the pages of POPULAR SCIENCE, > POPULAR MECHANICS, MECHANIX ILLUSTRATED magazines. > > Many a puppeteer has extended a program length by revealing performing > secrets to their audiences. > > In 1948 Tatterman repeated their last scene from "The Glowing Bird" (aka > The Firebird or tale of the Phoenix) at the 1948 Puppet Festival The stage > proscenium was removed . > > We were treated to smooth moves as string puppets were passed from a front > bridge to a back bridge with no visible jerk. The beautiful coordnation > among the puppeteers literally caused gasps from an audience of other > puppeteers. So we saw ART both in puppet design and in performance. > > ALAN COOK > > > -----Original Message----- > From: Mathieu Ren? > Sent: Sunday, March 2, 2008 3:07 PM > To: puptcrit-AT-puptcrit.org > Subject: Re: [Puptcrit] Cannon Hill Puppet Auction > > Thanks Anne for this description. > I'll see if they have the book in the public library system, I remember > there used to be a few books by Currell at one point, and I'm told they > bought a lot of books when they opened the new central library. > > Maybe some of the budget went into puppet books. > > > > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org > > > > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
Display software: ArchTracker © Malgosia Askanas, 2000-2005