From: Rolande Duprey <puppetpro-AT-aol.com> To: puptcrit-AT-puptcrit.org Date: Fri, 9 May 2008 08:14:54 -0400 Subject: Re: [Puptcrit] Dalang as Shaman/Women Kathy, Does Islam affect the belief systems of these ancient village cultures at all? In what ways is it expressed in Wayang? Rolande On May 8, 2008, at 9:47 PM, Kathy Foley wrote: > Not all dalang have significant religio-cultural functions, > especially in a contemporary period where people are not coming from > traditional dalang blood lines. The women of the north coast are the > ones I have run into who tend to have the most connection to the > kinds of ritual function often (but not always) part of a dalang's > traditional portfolio. Topeng dancers/dalang who do topeng babakan > and wayang kulit are in this category of sort of shamanic stuff > whether they are male or female--but it is not everyone who picks up > a puppet is ever going to be in this category. Age, personality, and > other factors are part of the differentials and gender will play some > part too. I am not at present remembering a woman performing a > ruwatan (ritual exorcism), and traditionally this is reserved for the > oldest male dalang in the family and someone who people generally > feel has the right personality (aura of seriousness and good vibe of > positive spiritual power). I would doubt that many women prior to > the present would have taken on that story (Birth of Kala), but > others may know of exceptions to my rule. > -- > Kathy Foley > Professor, Theatre Arts > Editor, Asian Theatre Journal > J-15 Theatre Arts > 1156 High St. > Santa Cruz, CA 95064 > tel. (831) 459-4189 > fax (831) 459-5359 > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
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