Date: Sun, 24 Aug 2008 13:47:58 -0500 (CDT) From: Charles Taylor <cecetaylor-AT-verizon.net> To: puptcrit-AT-puptcrit.org Subject: [Puptcrit] red velvet draperies I appologize if this is received twice. The first time it came back because of what I think was a rejection of elipses. I used Elipses because I wanted to focus only on two parts of Mathieus interesting letter. I left out other parts so as not to cause readers to have to repeat everything that was not material to what I wanted to add. My appologizes also to Mathieu who posed an interesting discussion. Mathieu said, "Some of my first-time customers in the past I realized were not "trained" to deal with visual artists, or take visual decisions. I think they were indecisive because they did not have the vocabulary or precise references to express their needs. All they wanted was something that worked for their purpose, and would have a life of its own (elipses) (elipses) If I am fully satisfied with the result, the customers usually love it even more, and hire me again in the future. When they have dealt with me once, they know what to expect, feel more comfortable and interact some more in the process. There's a wonderful kind of special satisfaction when customers come back for more. It's a kind of validation that is hard to beat!" Mathieu, along that line I want to say: Decision making, that's what artist do! I wish those that make curriculums for public schools understood the importance of art in developing decision making skills. All life long, one must make decisions in areas one is not otherwise prepared. Instead of cutting art out to make more time for reading, writing and mathematics, the arts should be expanded which supports the two "Rs" and one "M". That's my belief after forty five years of teaching elementary school. My wife is constantly asked by friends to help redecorate their houses, set a table, arrange pictures on a wall or make something interesting. She is constantly telling me that what she might consider an ordinary accomplishment they, her friends, will say, "How did you do that? How did you think of that? What made you do it that way? It's wonderful!" As she says, " And other such over exaggerated compliments". She doesn't take compliments well because she thinks her talents are not that extraordinary, contrary to everyone that knows her. Never mind the fact that she has a B.A. in art, was a designer and display artist for department stores and is incredibly creative, intelligent and talented. Her humbleness doesn't allow her to recognize that others are sincere in their compliments or that her ability is extraordinary. I try to tell her that people not familiar with the arts are bewildered and in awe of those with artistic talents and temperaments. They think in totally different ways. Maybe it is true about left and right sides of the brain being developed. It's one explanation. The point is nonartistiic people, if there is such a thing, don't know how to make artistic decisions. That was an early discovery of mine. When I was about eleven years old I built a puppet stage. It needed draperies. I found a beautiful red velvet at the fabric store. A yard and half cost six dollars, my total savings. With a rush of excitement and daring I bought it. But when I got it home, I could not cut it into two pieces to make two draperies for fear I would make a mistake. Perhaps a year went by and I realized that if I didn't chance it, I would never have draperies that would open in the middle. I took a deep breath, folded the fabric in half and with scissors cut it into two pieces. Voila! Eureka! I had curtains that opened in the middle! Believe it or not, THAT was my first big lesson in the art of puppetry! Just do it! I learned from doing. Then I learned others gave me praise. Wow, the more I DID the more praise I got! And I learned that there was NO competition in my small circle of life. It distinguished me from my genius brother and smarter friends at school. I was the ONLY puppeteer. At least that lasted through high school. But what an adventure was in store when I joined the Los Angeles Guild of Puppetry and found other colorful, exciting and talented people. Then the real learning began. But none of that would have been possible with out that first step with scissors in my hand and a piece of red velvet cloth. Charles _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
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