Date: Wed, 10 Sep 2008 09:43:45 -0400 From: "Bell, John" <john.bell-AT-uconn.edu> To: <puptcrit-AT-puptcrit.org> Subject: Re: [Puptcrit] Virginia Curtis' Clippo Alan's informative and cogent posting about Clippo the Clown points out the need for more research, documentation, and analysis of American puppet history, especially on a regional basis so that those of us in different parts of the country can learn more about what our colleagues and predecessors have been doing around the U.S. Another aspect of the lack of American puppet history: Susan Quinn's fascinating new book about the Federal Theater Project, "Furious Improvisation," includes nothing about puppetry in the FTP, even though it was one of most successful and popular aspects of that important part of American theater history. It would be great if we could encourage more writers (and especially theater historians and other "credentialed" writers) to take on the subject of American puppet history... Extensive interviews and oral histories with such National Living Treasures as Alan Cook would, of course, be essential (maybe this is already happening?). Dr. John T. Bell Director Ballard Institute and Museum of Puppetry University of Connecticut 6 Bourn Place Unit 5212 Storrs, Connecticut 06269-5212 office: 860 486 0806 cell: 617 599 3250 www.bimp.uconn.edu -----Original Message----- From: puptcrit-bounces-AT-puptcrit.org [mailto:puptcrit-bounces-AT-puptcrit.org] On Behalf Of Alan Cook Sent: Tuesday, September 09, 2008 8:05 PM To: puptcrit-AT-puptcrit.org Subject: [Puptcrit] Virginia Curtis' Clippo One of the disappintments for me about the art exhibit entitled THE PUPPET SHOW, which opened in Philadelphia and recently closed in Santa Monica Museum of Art, was the fact that in the "Puppet Storage" space, there WAS a small CLIPPO displayed with NO INFORMATION about Clippo or Virginia---a MAJOR oversight here in the Los Angeles area where Clippo was born in the late 1930s in Los Angeles Chinatown. In the Puppet Storage, a couple of commercially-made hand puppet portraits of Richard Nixon and Spiro Agnew were greatly ballyhooed as havng been in the collection of Andy Warhol. I don't think it was mentioned they were German-made. I bought an identical pair in NYC in a discount/remainder store near St Patrick's Cathedral, and I'll bet that's where Andy bought his . They ran about $3 each long ago. By chance, last week we opened an unmarked storage box we finally got around to, and inside were Spiro Agnew & Dick Nixon, looking just like the ones from the Warhol collection. They are fun to have, but nowhere as important as CLIPPO. ALAN COOK _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
Display software: ArchTracker © Malgosia Askanas, 2000-2005