Date: Thu, 1 Jan 2009 16:09:22 -0500 To: puptcrit-AT-puptcrit.org Subject: Re: [Puptcrit] Fire Yes now I remember! upstaged by a tv monitor no less. And wasn't the other show the one by the Belgian group? I think they placed a safety light on the stage for that scene and let us sit through what would have been the fire scene. Were there others as well? Well now I want to see Slovenly Peter with the deleted scenes, and you know there are others. On Thu, Jan 1, 2009 at 3:47 PM, Preston Foerder <preston-AT-pfpuppetry.com> wrote: > Having been at the center of the situation at the San Francisco Festival, I > thought I'd chime in here. (Hobey, I'm insulted that you didn't remember.) > In my show "Slovenly Peter", I have a puppet that is made to be set on fire. > The stories are children's cautionary tales from mid-19th century Germany. > Theatrically, I thought it was important to have the actual catastrophes > that befall the children happen to the puppets (it's a show for adults). > One story is about a little girl who plays with matches and sets herself on > fire. The puppet is a simple rod puppet, with a body based on a juggler's > torch and dressed in flash paper. The puppet, visibly manipulated, lights a > match which touches her flash paper dress which goes up and sets off the > torch which is doused in bbq lighter fluid. The flaming puppet runs around > (being chased by her kitten attempting to put her out) before being put into > a backstage bucket of water. I have never burned down any theaters although > I occasionally lose the hair on my knuckles. Prior to the performance in San > Francisco, I was contacted by the theater, asking for the number of my > pyrotechnician's license. I told them that I would give it to them if I had > one, and that they were welcome to have a pyrotechnician there in the wings > with a fire extinguisher at the ready. They said that they would get back to > me. At the festival, Mike Oznowicz, the festival director, came up to me and > said that they the college really didn't want me to do the fire, but that we > could say that he had been looking for me to tell me this and couldn't find > me and that we never had this conversation. The next day Mike came up to me > and said, "Remember that conversation we never had, well, we had it." He had > chased the fire regulations all the way up to the city fire chief and they > weren't budging. On top of this they were going to be watching me and if I > used the fire they were going to shut down the whole festival. Apparently, > San Francisco is very touchy about fire since the whole city burned down. > Everyone at the festival had heard about the situation. People I didn't > know were coming up to me to ask if I was going to do the fire. At the > performance, I had the MC make an announcement, "As many of you may have > heard, due to local fire regulations, we have had to make slight changes to > the show. We hope that you won't notice." In the show, between scenes, I > visibly slowly and purposely change the sets. When the story of the girl and > the matches came up, I removed the previous set, placed a TV monitor on the > stage, and played that section of the show on video. The video monitor got > applause. > > On a sidenote, changing to my Biopsychology Ph.D student hat, > neuroscientifically speaking, there is no difference between seeing > reflected light and direct light. Light waves are light waves. They are > transduced by the rods and cones in the retina into neural impulses in > exactly the same way. They may be perceived differently in the brain. I > would not be surprised if there was a feature detector, a neuron tuned to > fire (sic) to a particular stimulus, for fire, being that fire is a danger > and we become fascinated by it (I have an entire theory of puppetry based on > feature detectors which I have discussed here before). But there is no > difference in actually sensing the different types of light. > > Preston Foerder > > -----Original Message----- > From: puptcrit-bounces-AT-puptcrit.org [mailto:puptcrit-bounces-AT-puptcrit.org] > On Behalf Of Hobey Ford > Sent: Thursday, January 01, 2009 1:22 PM > To: puptcrit-AT-puptcrit.org > Subject: Re: [Puptcrit] Fire > > I have featured fire in my shows but always simulations of fire. The > fire prop which they sell at Spencers gift shops works very nicely and > Rosco makes a very realistic candle prop operated by battery. I used > to make my own fire prop with fan and silver thin milar with a fire > colored gel on a small spot light. Another nice trick for fire light > is to use a fan on a piece of gold milar with a spot focused on the > slightly waving milar. The light is reflected back on the set or > shadow screen simulating the jumping illumination you get from a real > torch. Disney's Pirate ride had a similar trick of placing a large > sheet of clear plastic inside a window at an angle. Fan and orange > light were placed below and as the plastic moves it sends up the > illusion of flames. The nice thing about it was that you see through > the plastic as well at the animatronic pirate standing inside the > window. I think using real fire in a puppet show calls to much > attention to the fact that it is real fire and the possibility of > danger. The acception perhaps is The Center for Puppetry Arts and > John Ludwigs piece called "Fire" which I didn't see but have heard > wonderful descriptions of. The people who saw spoke of the very real > feeling of danger in the show, which was the point I suppose. I would > love to have seen it. They were extraordinarily careful with their > very special effect. I think I recall that they were required to have > a fireman in the wings. Does anyone know? I also recall at the San > Franscisco Festival there were a couple of shows that had to pull > their fire from the show because of fire marshall regulations. I also > recall people being upset about those rules, but I the Bankok tragedy > certainly points out the danger of fire and fireworks (which seems > very absurd being indooors) You will remember the Rhode Island Night > club fire which was another case of indoor fireworks igniting the > ceiling. As for the Burning Man gathering in Nevada, It is on my list > of things to try and see. Didn't the huge burning man sculpture get > torched early this year by an over eager participant? > > On Thu, Jan 1, 2009 at 11:50 AM, Michael Moynihan <mmoynihan-AT-wi.rr.com> > wrote: >> When I was running a theatre company we had performers who would >> juggle flaming torches, eat/spit fire & spin fire, sometimes while on >> stilts. We made and used puppets, but never incorporated fire puppets. >> >> Of course most performances were outside. >> >> A friend and multi talented performer, musician, costumer & >> photographer, who I worked with & goes by the name of PHOENIX >> FIRESTARTER is at THE BURNING MAN festival every year. She is on the >> crew that sets it up before and returns the dessert to its original >> state after the celebration. She is a fire performer. I've seen >> pictures and videos and live cams of the annual event. I'd bet there >> are artist created fire breathing dragons and various fire puppets >> there. >> >> Just found this image >> http://tinyurl.com/752ulf >> >> and this vid >> http://www.youtube.com/watch?v=MXasuPMnysg >> >> >> m j moynihan >> milwaukee usa >> _______________________________________________ >> List address: puptcrit-AT-puptcrit.org >> Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit >> Archives: http://www.driftline.org >> > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org > > > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org > _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
Display software: ArchTracker © Malgosia Askanas, 2000-2005