From: "Bruce K. Chesse" <brucec-AT-chesseartsltd.com> Date: Wed, 22 Apr 2009 12:52:11 -0700 To: puptcrit-AT-puptcrit.org Subject: Re: [Puptcrit] Skill Sets Steven, As a person with a number of skill sets and an adverseness to peoples saying "you can't do that" I have found my chief satisfaction, over the years, in doing exactly what people said I couldn't do. Mike Oz was my chief "nay sayer" nemesis and the conflict went on for years. I keep a button picture of him above my computer to remind myself that the satisfaction in being an artist often lies in the attempt irrespective of the outcome. By the way I did get your Faust video and loved it. I found it quite fascinating and refreshing to see that traditional approaches are not been given up on. Certainly your many skills came into play in the piece and I the loved the lighting, editing and the interesting shots you chose, in and out, the follow, and reaction shots of puppets, proving once again that articulated movement is not a necessity to creating mood and introspection. Thanks so much of sending it to me. The point of many is well proven in its creation. My one question is why did we not see Faust transformed into a young man for the seduction of Marguerite? His is the age old obsession that drives one to pursue sexuality which often has no rationale and results in the numerous instances of "self destruction" we find in political and literary life today. We need to see what it is he is willing to sell his soul for and it certainly isn't Marguerite but his own self obsession. Bruce nemesis On Apr 21, 2009, at 11:52 AM, Steven Barr wrote: > Skill sets > > Combining the talents and skills of many individuals is what allowed > Henson=92s company to put Puppetry on the map in the USA and allowed > for a > rebirth of Commercial puppetry abroad. Even in the live theatre arena, > combining skills of others with a proper regard for viability is a > great > formula for artistic (and $) success (Vince Anthony=92s Center in > Atlanta > comes to mind). The Entrepreneur cannot be understated in this > recipe for > the successful modern puppeteer. But the difference is if one wants to > remain solo or not. To be solo is a lonely road and it may be a > choice for > some (it was mine for many years) but an emotional necessity for > others. > Many puppeteers just don=92t work well with others=85 and those people > may be > forced to do many things on their own, most often with mixed results. > Hopefully the 'solo need' stems from the intense desire to =93say=94 > something > that can only be said by one individual person. Sometimes this is > just how > some of us find our =93voice=94. Working with others requires an > unusual amount > of patience and tolerance and letting go of our egos in a way that > is often > "just too hard to do" and the results can be far from what we had > originally > planned and therefore a disappointment. > > The key is to have a clear VISION (clairvoyance) before one begins=97 > either > for a solo road or one where many people=92s skills are correctly and > beautifully orchestrated. I am believer in the collective creation > as long > as there is clear and articulated vision. > > Steven Ritz-Barr > Classics in Miniature, inc www.classicsinminiature.com > The Metropolitan Puppet Authority, a non-profit > www.lapuppet.com > _______________________________________________ > List address: puptcrit-AT-puptcrit.org > Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit > Archives: http://www.driftline.org _______________________________________________ List address: puptcrit-AT-puptcrit.org Admin interface: http://lists.puptcrit.org/mailman/listinfo/puptcrit Archives: http://www.driftline.org
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