From: Linda Elbow <breadpup-AT-together.net>
Date: Sun, 17 May 2009 14:27:06 -0400
To: puptcrit-AT-puptcrit.org
Subject: Re: [Puptcrit] AN ODD QUESTION


Here's more support for the answer you aren't looking for: Schumann  
says that it's all in the neck. And he's right.

Linda

On May 17, 2009, at 2:13 PM, Mark S. Segal wrote:

> Know what you are asking and know that this is not the answer you are
> looking for. But...
> The most exciting "animated" heads that I have seen are those that  
> have no
> moving parts - but are rather animated the way in which they are  
> sculpted. A
> turn of the head changes the expression - or the way in which the  
> puppet is
> lit.....etc.
> The most recent example of something I saw that was like this was  
> Steven
> Barr's Faust marionettes (movie).
>
> Manipulation and design seems to be able to make an inanimate  
> object very
> much "alive" with an unlimited (perhaps) capacity for facial  
> movements to be
> perceived.
>
> Mark
>
> ----- Original Message -----
> From: "J JONES" <jontytheghoul-AT-btopenworld.com>
> To: <puptcrit-AT-puptcrit.org>
> Sent: Sunday, May 17, 2009 12:23 PM
> Subject: [Puptcrit] AN ODD QUESTION
>
>
> Hi i am mostly a lurker in here but decided to hit the keys to ask  
> what may
> seem to be an odd question.
>
> Whats the most facial movements ever made by or to date possible  
> with a
> single a puppet head. Those only created by a single puppeteer and  
> ONLY with
> one hand?
>
>
>
> Thanks J Jones
>
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