Date: Thu, 23 May 1996 01:26:44 -0400 From: ostrow-AT-is2.nyu.edu (Ostrow/Kaneda) Subject: Re: make yourself at home >Ah, the eternal golden braid of generalities that we spin on this list! >I would think that we have perhaps collectively come to understand that >"avant-garde" may mean many different things and that it is fruitless to >make broad general statements about it without specifying how one uses >the term. _Which_ avant-garde disappeared, and why, when the museums >decided to become educational institutions and all that? _Which_ >avant-garde was killed, or not killed, by post-modernism (and _which_ >post-modernism)? And so on. > > > >-malgosia > As usual I have not proof read this, so if there are typo's or grammatical or spelling errors, I apologize in advance though I am sure that my point is clear enough. Ah, the eternal complaint, I would think that we have perhaps collectively come to understand that that thing designated the Avant Garde is not a program but a practice that has established itself over the last hundred plus years and that the use of the term is not to dismiss the conscious use of a term because the common usage of the term for various and sundryconventions (which can be enumerated) has currupted it. I will stand by the term as it has been traditionally eg.-- Vanguardism is/was represented a changed attitude toward tradition and the conscious making of culture and progress. Being avant Garde is not synonomous with being Modernist, Modernis circumscribes the van garde, not the other way around. As a practice it plays a role first in the transition from court to bourgeois culture and then in defining the means by which bourgeois culture will define its forms and practices, By the Forties it comes to dominate the feild of High cultural in part by establishing modernisms relationship to Mass Culture ( the culture industry) Its legacy is the mythologies accrued by acentury long rebellion against the cannon of Academic Art that would impose a static system of metaphysical values on increasingly dynamic and materialistic society. With time this , rebellionin a reified and relexive manner became a condition of the cannon because as a practice it almost guaranteed scandal and success. It was this tradition of revolt and reaction which sought to make art contemporary by overthrowing the paradigms that had arose from the humanism of the rennaissance. This tradition that once could produce works that could be condemned as subversive or be hailed as a release from past tyrannies. Such battles are cold issues, though those who would dream the dream of being avant garde posture and boat that they are the solution to a problem long addressed. The AV was the agent by which the last remenants of the heirarchy of western art was laid flat. It came to an end when its opposition and re-action became ready-mades. alternatives or expected novelties that breed self-satisfaction on the part of the maker and created a business as usual fascade to a culture sphere that was increasingly being institutionalzied and standardized even in its opposition. If were still an avant garde it would have to be self-critical as well as socilly and culturally critical , it would have to surrender its now tarnished holier than thou attitiude in which all who succeed are currupted all those who are marginalized are martyrs. Romanticism is lovely but its self serving. Post-modernism represents the triumph and institutionalization of what had been thought of as vangauard practices, that is the acceptance of a form of culture that is in keeping with the corposrate values. The avant garde is not the agent of cultural resistence but of its maintainence. If there is another avant gard that htis brief but general discription does not cover , iwould be more than happy to know the nature of its practice, what values it represents or proposes and how its practices resist against co-optation or marginalization, while simultaneously struggling within and in the name of dominant culture, even if only to decentralize it. --- from list avant-garde-AT-lists.village.virginia.edu ---
Display software: ArchTracker © Malgosia Askanas, 2000-2005