Date: Fri, 2 Feb 96 13:59:26 EST From: spurlock-AT-lehman.com (Michael Spurlock) Subject: Re: dry-hump: was public (fwd) ----- Begin Included Message ----- From: { brad brace } <bbrace-AT-netcom.com> Subject: dry-hump: was public (fwd) To: avant-garde-AT-jefferson.village.virginia.edu OK then, why continue to support and seek validation from the crusty gallery-curator-museum triumvirate? Start over! (*gasp!*) ----- End Included Message ----- Here's one support scenario that came to me. 1) There are plenty of artists who yearn for an alternative to showing their work in galleries and winding up in museums. They start alternative spaces, cooperatives and the like. But, these require income to run just like your mean old regular gallery. With limited funding for arts activities, the big museums and more successful galleries seem to get a lot of what is available. So, you could maybe choose to shift your support from the old guard art institutions to newer alternatives. This might cause the old places to either shrivel up and die or curatorially follow the money trail to figure out what they need to do in the way of what they offer to entice the people back. I could see this levelling the playing field for those people and places that want to try and grab some of the attention from the established culture community. It could also smack of new spaces wanting to either knock the old guard on their ass or elevate themselves to the level of the big boys with all the trappings of prestige and potential funding that shifts like that might hold. I think there are other possibilities, this one just came to mind first. Michael --- from list avant-garde-AT-lists.village.virginia.edu --- ------------------
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