Date: Fri, 19 Mar 1999 08:54:28 -0500 From: Joseph Barbaccia <jbarbacc-AT-wheatintl.com> Subject: Re: a propos >Hi everybody (hi malgosia), > >I have been contemplating this subject on the Nietzsche list, God >knows why. What interests me is the apparent conclusion, drawn by >postmodernism (by me at any rate), that notions such as originality, >creativity, ownership, etc really are misconceptions in art theory. It >is impossible to create a one out of zero; artists are not magicians. >Art provides a different perspective on things, an alternative order; >therein lies, as I understand it, its true and only assignment. >Now I was wondering. The Renaissance, when evaluating its Greek and >Roman examples, used the terms translatio, imitatio and emulatio. >Could this system still have any validity? For instance, how would it >hold up in today=EDs thinking about appropriation in art? >Thanks for any thoughts, > >RC > Ho ho. Artists *are* magicians. They were *the* magicians creating images on cave walls and ceilings, creating images of gods and demons, from their own minds, for centuries. Then closely associated with the christian mythologies and the suspension of belief that most religions require. When the magic of psycoanalysis came along the artist was there to reveal his/her own id and subconscious. From stonehendge to the bruho Picasso artists *have* been creating something from nothing. -o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o- Joseph Barbaccia Creative Director Wheat International Communications Corporation Reston, Va 20191 703-262-9180 http://www.wheatintl.com/ ------------------------ "Paranoia is having all the facts." --William Burroughs ------------------------ -o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o- --- from list avant-garde-AT-lists.village.virginia.edu ---
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