Date: Tue, 4 May 1999 13:51:53 -0400 Subject: May 10 & 17: New School Online Art panel > >THE ONLINE ART WORLD: A Work-in-Progress >Vera List Center for Art& Politics/New School >Moderator/Organizer: Robert Atkins > >This pair of panels (May 10 & 17, 1999, 7 pm, Tishman Auditorium, 66 West >12th St.) is intended to suggest the current contours of the "online art >world"--and imagine the shape we might like it to assume. Is online art the >newest techno-art ghetto? An elitist enclave in cyberspace? What are >available--and needed--resources? What is the relationship of the art >world and the online art world? Are there lessons to be learned from >paradigms established for the production, distribution and reception of >previous "new media" such as video art? If foundations virtually "made" the >field of video art, what support is >available in our market-driven economy? Does the lack of resources put us >at a competitive disadvantage internationally? > >Panel 1: ONLINE ART: PRODUCTION & DISTRIBUTION > >What is digital art? The online "medium?" Interactivity? Does the hybrid >nature of online work require a business plan for the operation, promotion >and maintenance of online artworks? How does the tradition of interactive, >conceptual artworks apply? Does a digitally produced object have anything >to do with online work? Is the commodity-status of the former and the >dematerialized status of the latter the primary distinction between the >two? What about the web's temporality? Does video offer useful paradigms >for collaborative production? What are current production and distribution >resources? How has the quest for community in art been realized in the >past? What are American museums and galleries doing? Do we need digital >institutions? Or do they make for ghetto-ization a la computer art? How can >we evaluate European institutions/alternative spaces such as ZKM, Ars >Electronica, V2 etc? What is the role for libraries, as well as art >institutions? > >May 10, 1999/Panelists: >Adrianne Wortzel (artist) >Tamas Banovich (co-director, Postmasters Gallery) >Kathy Brew (director, Thundergulch) >Steve Dietz (Director of New Media Initiatives, Walker Art Center) > >Panel 2: RECEPTION & INTERPRETATION > >Michael Kimmelman and Rob Storr announced in 1997 that there's no good >online art: does this mean that the walls of the ghetto are already firmly >in place? If so, how can they be torn down? Are there critical criteria of >value or is "cool!" the highest online accolade? Why the token--or >over-hyped--coverage in the art world? Can a browser or data base/archive >be a work of art? Can art critics deal with the temporal and the moving >image? Does the Internet destabilize the Duchampian view of >(physical/gallery) context as signifier of art status, especially that of >the installation-work? How can we cope with old distinctions when dealing >with new, hybrid forms? Most of the most interesting discourse takes place >on email lists and online-only pubs and zines: What is an email list and >can its extraordinary capacity for community-making be harnessed? Why don't >American, non-profit/foundation funders understand the audience outreach >already inherent to online art production? How can online art be made >accessible for the burgeoning body of online viewers? Is the Internet a >mass medium? Who is the online audience? > >May 17, 1999/Panelists >Christiane Paul (publisher/editor of Intelligent Agent) >Kathy Rae Huffman (producer/artist/curator, professor, Rensellaer >Polytechnic Institute) >Jordan Crandall (artist, director Blast Foundation) >Jon Ippolito (artist, curator, Guggenheim Museum > >The two panels will be webcast live through The New School's Distance >Instruction for Adult Learning (DIAL) program at www.dialnsa.edu. In >conjunction with these two live programs, DIAL will also host an online >public dialogue about art online at the same web address beginning May 10. >To participate in the online forums, point your browser to >http://www.dialnsa.edu and click on "Public Events." > >TICKETS: $10 FOR BOTH SESSIONS. Single admission $7. >By phone with a credit card, Monday through Friday, 5 to 8 pm at 212 >229-5488. >In person at The New School Box Office, 66 West 12th St. (bet. 5th and 6th >Aves), main floor, during Box Office Hours. >By fax with order and credit card information to 212-352-0213. > > >----------------------------------------------------------------- >r o b e r t a t k i n s > >vox: 212-662-2961 fax: 212-222-4524 data: RAtkins-AT-idt.net >----------------------------------------------------------------- > --- from list avant-garde-AT-lists.village.virginia.edu ---
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