Date: Thu, 30 Sep 1999 14:21:58 -0400 Subject: Pratt-Oct. calandar >MIME-Version: 1.0 >X-Priority: 3 >X-MSMail-Priority: Normal >X-MimeOLE: Produced By Microsoft MimeOLE V4.72.3110.3 >Date: Thu, 30 Sep 1999 10:30:38 -0400 >Reply-To: Experimental Film Discussion List <FRAMEWORKS-AT-LISTSERV.AOL.COM> >Sender: Experimental Film Discussion List <FRAMEWORKS-AT-LISTSERV.AOL.COM> >From: Astria Suparak <asuparak-AT-PRATT.EDU> >Subject: Pratt-Oct. calandar >To: FRAMEWORKS-AT-LISTSERV.AOL.COM > > <><><><><><><><><><><><>FILM SERIES AT PRATT<><><><>. >Pratt Institute of Art and Design* OCT. 6, Wednesday 8:30 pm: FILM ABOUT >A WOMAN WHO... by Yvonne RAINER. A meditation on ambivalence. Includes >music by Philip CORNER. This shaped and structured film mirrors the >complexities and difficulties with which we attempt to communicate with >one another: "It seems to say," observed one viewer, "that speaking is >like walking on volcanic silence." The film uses interrupted or stylized >action and stills and re-enactments from movies such as Psycho and >Pandora's Box. Film about a Woman Who... is cinematic syntax that isn't >clothed in narrative continuity, but speaks through naked image and text. >"RAINER...learned to use the cinema's magic and muscle to layer space and >time in a completely non-naturalistic way.... She has always been as >committed to emotional volatility and psychological meat-packing (topped >with large doses of analysis) as any character-driven filmmaker. But her >mode is more athletic, pummeling the viewer with associative motion >picture collages made of language, cinematic space, character (as >analytic tool), and story (as accretion). In this sense, Rainer's >narrative style owes as much to Gertrude Stein, Virginia Woolf, and >Buster Keaton as it does to Maya Deren and Michael Snow."-Thyrza Nichols >Goodeve, Art in America 1997 > >OCT.12, Tuesday > > > >7pm at the KNITTING FACTORY, Alterknit Theater. 74 Leonard St. (betw. >B'way & Church). 212.219.3006. www.knittingfactory.com > > > >9pm at Robert Beck Memorial Cinema, at Collective Unconscious. 145 Ludlow >St. and Rivington. Brian Frye: 718.622.5360 > > > >BROKEN MUSIC: Misusing/altering technology for the use of music. Or using >musical instruments/equipment in alternative ways. > > > >2 videos by New York sound artist and vinyl saboteur CHRISTIAN MARCLAY, one >in homage to Jimi Hendrix; SONIC YOUTH performs a FLUXUS composition by >GEORGE MACIUNAS: "Piano Piece #13 (for NAM JUNE PAIK)"; Co-founder of The >Kitchen and Video Pioneer STEINA VASULKA's "demo tape on how to play >video on the violin"; Hanzel + Gretzel's video music project on techno >voyeur SCANNER (who accesses phone conversations with a scanner to use in >his DJ performances and recordings). "Human kind is just a 12-inch >monitor."; A rare screening of a film by Swiss electronics duo VOICE >CRACK, including live footage of them playing "cracked everyday >electronics" . > > OCT 20, Wednesday 8:30pm: On: location. Films about places and >site-specific actions, investigations and de-constructions. Gordon >MATTA-CLARK non-u-mentally cuts and carves through buildings in Paris; >The effects of seasons and time on Berlin, San Francisco, and Austria are >documented by Kurt KREN and Linda CHRISTANELL (Austria); J. HOBERMAN >(film critic from the Village Voice) goes "Up the Harlem River, looking >East. Is the film the reflection of reality or the reality of the >reflection?"; Lush juxtaposed images of Standard Oil Refinery and a red >lumber company in Northern California as seen by Bruce BAILLIE inspired >by Eric Satie ("...a film in the form of a street"); Margot NIEDERLAND's >journey through the architectural anomaly in Fort Greene, Brooklyn; and >more by Alan BERLINER and Kurt EASTERWOOD. OCT. 27, Wednesday, >8:30pm: PAINT IT BLACK An evening of dark films and videos >from New >York, San Francisco, and Europe. Optical printing and video manipulation >create dense layers of nausea. Meditations on media and culture, the use >of technology for subversive purposes. Dis-ease. Recent work by Matthias >MUELLER, The BUREAU of INVERSE TECHNOLOGY, Laura PARNES, Eric HEIST, >Mark TAYLOR, Yvette BRACKMAN, and Aaron SCOTT. Coming up in >November: John Baldessari, Hollis Frampton, Peggy Ahwesh, Paul McCarthy, >Mike Kelley, Fischli & Weiss, Jennifer Reeder, Luther Price, Laura >Parnes, Katherin Resetarits, and more. Wednesdays at 8:30pm in Pratt's >Engineering bldg., rm. 371 unless otherwise noted. G-train to >Clinton-Washington; 379 Dekalb Ave., betw. Hall + Classon St.s >information: Astria Suparak, 718.636.3422 > --- from list avant-garde-AT-lists.village.virginia.edu ---
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