Date: Fri, 19 Jan 2001 09:44:08 -0700 Subject: Re: =?iso-8859-1?Q?=B0m?= =?iso-8859-1?Q?_?= =?iso-8859-1?Q?=BC=D0?= My sentiments exactly. But why is everyone going down this 50-year-old channel? Why stick with a model that is completely exposed as corrupt? -dag The relationship between artist and fan has been intermediated for so long by promotional outlets and marketing institutions that there's a disconnect. Artists are challenged to move to the center of the changes that are transforming the industry, not just as would-be superstars but as active participants. In this business, a very limited number of artists are very successful, and a great majority are not successful at all. It's so entrenched it's almost impossible to see. Changes in technology and the law have disrupted a corporate structure that had long expected artists to be led by others. The internet made us question things and sit back and see our own value. I do not think it is any benefit for artists or fans to have all the new, wide distribution channels controlled by those who have controlled the old, narrower ones. Artists have to know how to empower themselves. If they can find a way to get around the power structure, that's great. The 12hr-ISBN-JPEG Project >>>> since 1994 <<<< + + + serial ftp://ftp.eskimo.com/u/b/bbrace + + + eccentric ftp://ftp.idiom.com/users/bbrace + + + continuous ftp://ftp.teleport.com/users/bbrace + + + hypermodern ftp://ftp.rdrop.com/pub/users/bbrace + + + imagery ftp://ftp.pacifier.com/pub/users/bbrace > News://alt.binaries.pictures.12hr ://a.b.p.fine-art.misc > Reverse Solidus: http://bbrace.laughingsquid.net > Mirror: http://www.teleport.com/~bbrace/bbrace.html { brad brace } <<<< bbrace-AT-eskimo.com >>>> ~finger for pgp --- from list avant-garde-AT-lists.village.virginia.edu ---
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