Date: Sat, 09 Aug 1997 13:47:33 -0700 Subject: Imagination1-memory-understanding/Imagination2-virgin memory-passion One of the results of dialogue as Caplan suggests are the abstract idealization of concepts characteristic of instrumental rationality. This "abstraction" is also constitutive of a "typical" or "generic" body -- it produces the institutionalization of the emprirical singularity of a body. In Hegel this is a dialectic that as an inwardization produces historical memory which then provides the typical forms which the imagination uses to grasp, comprehend the chaos of sensations held up by the apprehension of intuition. In Bataille what Caplan discusses as dialogue is refered to as "discourse" which as old Hegel demonstrates is possible even while playing cards in between class time.For instance, Bataille writes in _Inner Experience_ that "L'experience doit etre vecue jusqu'a la transe, unissant ce que la pensee discursive separe. L'experience interieure doit atteindre la fusion de l'objet et du sujet, etant comme sujet non-savoir, comme objet l'inconnu"(quoted in Pierre Prevost _George Bataille and Rene Guenon_ p. 19).So, Dialogue can also work towards its own end, towards a crisis or limit situation[note: graft something on Jasper later]. "It is not the least of Diderot's paradoxes that for him the ultimate proof of the suitability of dialogue to thought would come with the defeat of its very instrumentality. As i will show, it was when dialogue finally touched him(and possibly his interlocutor), when it moved him to tears, so that he lost all grasp over himsefl, his conceptual instrument, and his topic, it was then that he could sense that he had finally touched the mobile nature of reality [...] if dialogue is the only instrument suited to seek out and probe reality, it can only really "touch" its object when it is not longer quite a concept" (Caplan, p. 7). The dissolution of dialogue in the instrumental sense is the dissolution of imagination1 by imagination2 which is also an openness in dialogue to inventive misreadings which continously displace reified, "fixed" typical forms(the results of following a "good" model by imagination1) -- Edward, this is where Bloom is mixed in but also Shlovskij on "defamiliarization" -- but also in the dissolution of dialogue itself what emerges is the convergence of a multiplying polylogue without a particular author or source. The posting texture constantly cut-and-mixed otherwise can never be stabalized by any one post or sender -- perhaps this is why there is a sort of destitute nakedness to a texture that as writing, Plato reminds us, cannot defend itself, cannot answer back and remains at the mercy of "your" reading if that's not overly dramatic. If then, it's a question of the "limit of dialogue" then also is it a question of the "limit of dramatization"(one that perhaps begins to explore the place of gesturing as on Artaud's theater of cruelty?). What about the "analytical situation" ? Shoshana Felman: "the unconscious is a reader. the reader is therefore, on the same level, always an anlysand - an analysand who "knows what he means"[imagination1] but whose interpretation can be given _another reading_[an inventive misreading which strengthens imagination2] than it means. This is what anlytical discourse is all about."(Jacques Lacan and the Adventure of Insight, p.22) What is being discovered/invented in the unconscious is not some kind of meaning but a "manner of reading", a pratical operation constituting and deconstituting the understanding. When theory[imagination1] arrest this operation it is always too late as the primal scene[imagination2] is already elsewhere: "There is a constitutive belatedness of the theory over the practice, the theory always trying to catch up with what it was that the practice, or the reading, was really doing. This belated repetition of the theoretical construction[typical recurrences of concepts, automatic return of reified forms -- note: graft Nietzsche's discussion on memory and secondary reasonings of the understanding] can, however, only partially and asymptomatically recover the _primal scene_ of analytical reading."(Felman, p. 24). And...
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