Date: Fri, 15 Aug 1997 21:02:18 -0700 Subject: Feste's encore, (semplicemente). Ariosto, "r" you talkin' to me? The 'looking over' of _Peregrinations_, attributes from a reading of two of my posts [Sun, 10 Aug; and Mon 11 Aug], the first gestured to Don, and the latter punctuated to Curtis, adder-tongue pages 6, to 10 which (let's see) adds up to 16, to which (ah! what the fuck), minus 13 [see Sun, 10 Aug post] equals 3. A page which you've work on. Now, since I'm talkin' to you, should I "[think to] "start there[?]". Or should we speak instead of "When [we were] eleven or twelve,...." Wouldn't that show you a path to-word a remission to your first question, which opened you post? Now, on page 3, there is a recall to this "program our life", which on page one began a bridging technique of 'supposed' ---into --- "my", which by the way an 'aesthetics of the sublime' (embraces at the breakdown). There, one has payed with their person, and words are merely a Sur-prize-plus of payment overdue. Here is the first "narrative" to deconstruct, up a-gaining what is always already Bridg{id}ing it. Thus, as I wrote: - (i) (i) comes in storms of what sinks [_vis a tete noyee (countersunk screw)_] with what ships it from it to es... - {see Re: "walk with writing"...with 'pat[]er' Es", Tue, 12 Aug]. (underlined bracket added). This is that step not beyond, see Blanchot (and Bataille's _On Nietzsche_, for that matter) and, again _Peregrinations_ 13. Shit! see, we even got to 13! The minusing one, as "see also" from the post "From 'ughy center' to laughter and thro[(ne)(wn)] threw. Now, are you listenin' to me? Leonardo could very well savour this "path of chance contingencies", as can you, in "events(festivals/............./baroque technique)." Should dare peek onto pages 13 of the Bataille and Blanchot texts mentioned. Meet you there. May the continuity of such sublime conceptual cataracts miss every forced appointment with Cartesian opthalmologists. Rub some Spinoza 'dust of glass' in those "I"'s of 'yours',.....any better? Next to Levi-Strauss on Shamanistic power in _From Honey to Ashes_. "Senas mudas la dulce voz doliente permitio solamente a la turba, que dar quisiera voces a la que de un ancon sequnda haya -cristal pisando azul con pies veloces- salio improvisa, de una y otra playa vinculo desatado, instable puente." (Gongora, "The Second Solitude", from _Solitudes_). entre chien et loup dans lalangue trespasses, Lucio Angelo Privitello
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