Date: Tue, 04 Aug 1998 15:42:13 -0400
Subject: Babylon's kean cone
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<font color="#FF0000">* *<br>
<br>
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on Belshazzar's w/awl
</font><font color="#FF0000">-------------------------------------------------</font><font color="#000000">+<br>
r <br>
</font><font color="#800080">
</font><font color="#000000">i <br>
</font><font color="#800080">
</font><font color="#000000">t <br>
</font><font color="#800080">
</font><font color="#000000">i <br>
</font><font color="#800080">
</font><font color="#000000">n <br>
</font><font color="#800080">
</font><font color="#000000">g
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*
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-<br>
<br>
with
spr</font><font color="#FF0000">ink</font><font color="#000000">nells;
<br>
<br>
oar the zonelated s/hewing of intra-purr-tain-temptshuns: "an
other". P/art I-r(un)g, p/art
[</font><font color="#0000FF">sea</font><font color="#000000">]-lay,
lettered hup-to three, oddly the fourth. Like
</font><font color="#FFFF00">chaff
</font><font color="#000000">ad-<i>dit-</i>ions. Nearly invisible. Or
cart-er/ring as "Cobweb handwriting, traced long and fine with quiet
disdain and resignation:...." (<i>Giacomo</i> <i>Joyce</i>, James
Joyce, 1). Nor a B.; Bataille's that is, or Awl-eee-gh-airy, even; (now
possibly greased), but of an Ion's potential, rhapsode(ad) in the net of
the Socratic "I'll find time to hear you" (531a), of an
"I'm quite willing to hear,..." (536e). Such to your
"divine and dynamic",...a mighty poor tense-awl after all.
Still have that sign? Is this the battle of the eye, twice eyed? A gaze?
Or is it, den-lions d/ear cart-er-ringing to be left to a "seer to
examine and judge passages as [<b>phasic thin the nest </b>(D.Carter,
Tue, 4 Aug 98)]"? (<i>Ion</i>, 539 d). Do I walk about as a roaring
lion perhaps? (<i>I Peter</i> 5:8). Is, t/here a "tis oyn eis
grammata agathe praxis"? (<i>Protagoras</i>, 345a). Is it a
"swayin'list of items"? Is it a "moist inner
difference"? From rhapsode to general? Cyzicus 1 Ephesus 0. The
lather Re-stings place as weightly as "an idol".
[</font><font face="Calligraph421 BT">laughter]. </font>And where is this
"new letter" ordered from? Belshazzar's feast? The firmament?
[Gnosis see gnosis do, redux]. Or is a case, (ready for travel), yet
closer to home, as what sweeps the floors of high-dig-ari-Ion's
"domain"? (see, Heidegger, <i>Basic Questions of
Philosophy</i>, 2, "The Question of Truth as a Basic Question",
# 8). There dreamt "dry as the moon in the sky", reflected as
an expiation of itself. The artfulness of existence is a
"soul/sole" supposed in the midst of a doing-being-spoken. This
wake is also a dream ("test" even), "glownd rownd"
never pastingeing its "riverrun" twice, nor in "{
}-reversal void backwards mode", once. But it w/oar\ks as "nat
language" (or should I say), "in the Nichtian glossery which
purveys aprioric roots for aposteriorious tongues..."?
(<i>Finnegans</i> <i>Wake</i>, 83.10-11). And I don't mean mantic Jung's
either, by adding-tempts to what Boehme didn't get "rownd the way
from grown control" to. [laughter]. Nichtian glossery or
"Neikos" glas-errantry? The "love us all 'n' each"
still files through it, with Kafka-fingers now doesn't it as Philia.
There's your second "eye for battle", had on the map of Tendre.
<br>
<br>
Go ahead, "hurlez a ma voix", encore, "venuer, l'ombre que
tu deviens, laisse la meute aller sans que ton pas se presse, Diane a ce
qu'ils vaudront reconnaitra les chiens..." (Lacan, <i>Ecrits I</i>,
La chose freudienne). <br>
<br>
Grand veneur,<br>
entre chien et loup dans<br>
lalangue trespasses,<br>
Lucio[<font color="#0000FF">sea</font><font color="#000000">]
Angelo[</font><font color="#800080">saw</font><font color="#000000">]
Privitello[</font><font color="#FF0000">Ca</font><font color="#000000">],"parce
que ce n'est pas ca",<br>
</font><font face="Calligraph421 BT">e ne cesse pas, ecce l'amur sans
pont, comme passerelle<br>
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