Date: Sat, 15 Aug 1998 07:15:02 -0400
From: lucioangelo <lucioangelo-AT-earthlink.net>
Subject: Row!: "Noblesse oblique"


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      http://www.arthistory.com/$spindb.query.work.ahwork.p~2dk.007


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	In that gulf then, yet with "sacrifices", if "chief viewpoints", (_WTP_
# 891), as 'proper qualities' cast their 'silhouette'. The gulf to catch
and send first light as a _playing_ and _dancing_ w/here a "possibility
of masking" is taut/taught. As approaching an island at dawn, (Sicily
perhaps, yes, always her), where the watery film skims what is most
deeply cut by the very 'o(a)r' that finds it a touchstone of infinite
distance. That, the "unmarked", t/here, the "tempting", but how does a
"test" not always return one holding Horace's _furca_? (_BGE_ # 264). 

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      http://www2.iinet.com/art/20th/european/misc/klee/klee_79.jpg


	O(a)r, night fishing, rich in its "fluid terrains" where _leaping_ is
dancing in forked chaos, a _Kaos_ of what (eternally) sends and
receives; "or"-calls to a land scraped and made barren by the "or
[named] whoever", as the sandy mirage of _Uno, Nessuno e Centomila_
taunts: "...che sono tutte fissazioni." The game that fares even "wells"
into this, as that 'lightning flash', catching a pail that skip-dances
to be filled, refreshed, "becoming-music", becoming "_un monstre et un
chaos_". (see _WTP_, 83). What is most difficult of a
fort-impossible-pe'da'gogy, (that so[u]lfaing that seems to have
deafened our dear Maldonado, [laughter]), is what Nietzsche rowed with,
within "education" and "culture": that there is a teaching, an
impossible pe'da'gogy [that as/is] p-art($) 'One' sea-faring to-word a
_graciousness_ a(w)l lec/tor(us), 'a'-gain, t(w)o "_Uno, Nessuno e
Centomila_ , and not to "degrad[e] our duties into duties for everybody"
(_BGE_ # 272);..."or whoever". 

	Yet,, back to "k". A tri-forking dimension; model, lit-cast, and
silhouette. A rhythm, or "melodic landscape" --> into --> "sonorous
landscape" (Messiaen _avec_ Klee), to hint at you D&G. (see, _A Thousand
Plateaus_, 318, 320). Could it be that "Kraftgefuhl" which links what
"stuck on # 274 (_BGE_), might remind you of the very "cause and effect"
brought up in # 664 of _WTP_. Is that the "k" left there after what has
"link[ed]...phrases [as] a creative event"? O(a)r through moors, likely,
this "k" is the "_kurmagati_" haunting you within the "surplus matter
available in [your] life", which is set 'a'-dr.-[g]ift[ed] down the
"_gangasrotagati_", (_BGE_, # 27), 'rid-dled' of/with friends. _Tempo_
then caro, for the "k" could quite possibly be the 2/4 time Krakoviak
dance that Nietzsche danced, "For _dancing_ in any form cannot be
divorced from a _noble education_. Being able to dance with the feet,
with concepts, with words: do I still have to say that one has to be
able to dance with the _pen_ -- that writing has to be learned?" (_TI_,
66). O(a)r, rowing still harder, "impossible as per usual [to[
communicat[e] with [me]", since "(I obviously do everything to be "hard
to understand" myself!)". And as to what is difficult, I send,
raven-sheen-thrice-script links: will this "_gangasrotagati_" be i)
"gelo ...di vetro e non d'acqua sembiante"? (_Inf_, XXXII, 24); ii)
"...visiere di cristallo [...] 'un poco, pria che il pianto si
raggeli'"? (_Inf_, XXXIII, 98, 114); o(a)r rowing still, so still, as
"...pal commessa", where I ask: "se puoi, fa motto."? (_Inf_, XIX, 47,
48). 
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entre chien et loup dans
lalangue trespasses,
Lucio  

	Then a-gain, there's Klee in Heidegger.

    http://www2.iinet.com/art/20th/european/misc/klee/klee_22.jpg


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