Date: Tue, 04 Aug 1998 19:16:31 -0700
Subject: A Proposal


> Ding dong (k)Nell tied to tracks to draw power against hir will yet almost
> covertly, a Spring-killing [threa(d)t?  O(a)r as weapon?  Paddle?].  Inevitable
> mysogynism of in-tense-shun?  (K)not purring?

This nod attempts to tempt yer found-because-'finding' and so erring "lettered
hup-to-three", however lachrymose, 'Dudly' or lethal the lip service.

S/havings cannot but cart oar (paddle) ring.  Can they?  Can you?  At 'certain'
points 'even' cobwebs cling with the iron grip of the slightest hint of disdain or
resignation.  Therefore, by turns we alert ourselves or entertain what may be read
as escape (there being no word for 'inscape').

This nod takes its cue from what is neither heard nor not.  Or it is quite willing
to wear what you would have it signify having heard; with a 'greased' awl from
what you designate an aerie.'

How long can a will will to hear or play to entertain your knell or Nell's
ear-splitting cries for charity to anyone and the corresponding 'love' for mock
futures?

If 'the battle of the eye' isn't 'twice eyed' it echoes.  Our initial gaze
substantiates.  A lion will roar but not to paddle.  This nod sways with endless
listings too;  always a 'moist' purr or roar.

Life's appointing gaze triggered less philosophy in Heidegger than the re-gaze of
philosophy itself, expiration an idyll of an aerie.  And because supposition's
wake turns (to/ward Kafka:) without argument "against a joke... I came to you with
the proposal" (The Castle):  the immeasurable territory of tendre.

Ventriloquize this nod then too, y/oar dissonant id-entity;  in essence affirming
multiple difference.

W/ a nod in a sea of saws...,

D. Socha