Date: Tue, 24 Jun 1997 02:31:21 -0600 (CST) Subject: MB: Sur-reel turn-st(y)le to render/Sur. first, a moment of diffused clarity; "(Surrealism) is not so much a school, but a state of mind. Nobody belongs to this movement, but everybody is a part of it. Is surrealism disappearing? No, because it is neither here nor there: it is everywhere. It is a phantom, a brilliant obsession which, by a powerful transformation, has become surreal." M.Blanchot, La Part du Fue, Paris, 1944 as cited by Patrick Walberg in Surrealism, 1965. second, to recall this question openned and closed around the question mark, "Is surealism disappearing? No, because..." . This No speaks in the affirmative that gives its chances to all plausible nobodies that come along or go along with the movement whose ambiguity pertains to everybody, an art for all and none that would bend back once more this ring of recurrence. What has happened to this question that's immediately silenced by the affirmative negation, that peeks forth to return more directly to the artifactual induction of the "phantom"? Fellow phantoms, help me out. Where has the question vanished? Is it one or 1x2x3x4 questions on the spur of the moment? Doesn't it just stretch out that far, envisioning its surface effect on the mild curiosity of the lurking mind? A question is a rumbling disturbance that makes the murmur an appreciable way of prattling on conducting the energy of a desire into a plausible mechanical formulation, a trelliswork of time and form whose work is spread over an uneven grid, controlled and haphazard at the same time that evokes restlessness, an unfulfilled urge whose marginal existence is woven in the very folds, in the demarcation of one subsistent thought from another. The question mark is like a hook by which we hope to turn the entire edifice of a writing in a vigorous counter-position to ourselves. Is this me? Is this what becomes of me in the twisting and turning of these inhuman digital impulses? Or are you somewhere else? Are you there? Are the questions going there and returning rotten? If the fruits are ripe will you be the one to fall? Yes or no? Spinning these questions causes me to sway between this "alchemy of the word"(Rimbaud) and this void by which I inherite the wind, that is, a space and a passage, an infinite mirror image which never returns. "For how long, sleeping logicians, philosophers? I would like to sleep in order to surrender myself to the sleepers, as I surrender to those who read me with their eyes open, in order to stop the conscious rhythm of my thought from prevailing over this material." Breton, First Surrealist Manifesto, 1924. I too will go on and Sur/render, to render forth that to which all things are given, there, "between chance and austerity" (Neruda). There recounting the accumulation of solitary memories whose number equals the vertigo of rotating spokes ... Leo Raggo//\\//\\//\\ \\//\\//\\// \ \// \ \ \ \
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