Subject: MB: Winter Doctrine and Bird's Wisdom Date: Mon, 9 Feb 1998 13:41:15 -0500 (EST) "In his ideas on children, Nietzsche expressed the principle of open-ended play _where occurrence exceeds the given_. "Why," said Zarathustra, "should the lion become a child?" A child is innocence and forgetfulness, a new beginning and game, a wheel turning on itself, a first impulse, the sacred "yes."" (Bataille _ON_ pg. 151) Play=Uselessness a-tzu! excuse me but early thawing winds are bringing with them an early rite of spring and Zarathustra making "many noses sneeze!" (_Z_ 'Of Old And New Law Tables' pg. 223). "Winter doctrine" where everything stands still with heavy feet is a "fine thing for unfruitful seasons, a fine consolation for hibernators and lurkers, that is, for stay at-homes" (_Z_, 'Of Old And New Law Tables' pg. 218). But with the thawing winds we are ringing our "azure bell" big with expectant life, with "bird wisdom" finding its songs this side of spoken words, before any discursive spirit of gravity. "Yes," we take off from all national fatherlands and embark upon the high seas, "out to where our _*childern's land*_ is! Out, away, more stormy than the sea, storms -- our great longing," our flaming instinct in need of much water and not fire, our play with blue and white and orange and a clown's :-) >>>--------> oscillating through the air to pierce more skin. Off course, errant Nietzsche, the perpetual convalescent, loved balmy, mediterranean air where he could become "ripe in the great noontide" (pg.231) like "a vine with swelling udders and close-crowded golden-brown wine-grapes" (_Z_ 'Of The Great Longing'). H/ear a crafty philosophist's hammer puncturing the ears with scrambled, tortured corkscrewing vines tipsy with a philtered pharmacy locked up in a box decorated by the baroque curls of Persephone arranged as a festival of flowers on al-andalusian fields. a-tzu! excuse me -- Serpentine writing is bound to the eternal recurrence of the same [minimalist seriality] at/to-word noontide where thinking in its shortest shadow brings the seas of past and future together thawing out an icy breath with the nourishment of innocent becomings and few, small things -- for remember that fine spirits are birds' stomachs. Bird wisdom as is now clear not only displaces the winter doctrine but teaches us how to play in an intricate manner and to "honour the obstinate, fastidious tongues and stomachs that have learnt to say 'I' and 'yes' and 'no'." (_Z_ 'Of The Spirit Of Gravity' pg. 212). Philters of information _*will*_ be placed in all strategic locations. Did that just sound a bit too serious? [laughter] Scrambling polished pearls or our precious culture droppings .............................. is a necessity to prevent the slitting of stomachs by those agitated by children at play. Such an evasive manouver is accomplished by the setting up of lures and masks where me and Zarathustra show "only ice and winter on our peaks -- and not that our mountains [a 'symbol' for solitude or pathos of distance which is the medium through which we communicate while peaking] also winds all the girdles of sunlight around it! They hear only the whistling of our winter storms: an _not_ that we also fare over warm seas, like passionate, heavy, hot south winds." (_Z_ 'ON The Mount Of Olives' pg.194) It is always a question of fastidiousness then, of wearing gloves as Nietzsche says, specially if you want to do the McSlippage with Persephone. Such an atunement is the impossible welcoming of nuanced matter, of allowing the hearing of songs by way of an oscillating unconscious which is not structured like it was speaking words. Sing Lucio! And I will dance -- What cause the vibration is that whatever appears also steals away and tends to resist phenomenalization. I find "more and less than expected" (Lacan _FFCP_ pg. 25)in the given nuanced matter which as soon as it appears it disappears and stablishes a dimension of loss. 'Matter' as what leaving its mark causes the ear to vibrate and overflows all philosophical conceptualization (which operates as the "winter doctrine" par excellence). That is 'why' matter is interference or noise like a bird's song which cannot be understood for it has no tongue and speaks no words except maybe da... da..., t/here vacillates, plays with a thread ridling a labyrinthian ear tympanized by the language of the earth, of Perse-phone's curls. Our phrase regimens bring to an end spoken words with the arrival of periods......................... blocking the fruition of understanding or the seeds of Logos. Once again desert fields claim their soEreign(is)ty alongside the poverty of my imagination bringing extremes together with a rain dance. "Yes," more ruins now crowd this passage on pure sky and the dry earth big with possibility surprising itself in a twilight zone just before sunrise and the spriging up of a morning phrase, a flower child. Doing the McSlippage with Persophone and Ariana, a-tzu! --
Display software: ArchTracker © Malgosia Askanas, 2000-2005