File spoon-archives/blanchot.archive/blanchot_1998/blanchot.9803, message 33


Date: Wed, 4 Mar 1998 08:13:04 +1100 (EST)
From: c.holmes-AT-nepean.uws.edu.au (colin holmes)
Subject: Re: MB: H.V.K.B: Hache Valse Kiki Bolide


Is this what people really want on the list? I had hoped to get an insight
into Blanchot's work by listening in: instead all I get are
incomprehensible word salads...... I'll unsubscribe and find a decent book
instead! Good luck Reg - once Lucio Privitello gets started, you'll need
it.

Colin Holmes


>..and with Monday's "commencement" just up around tonights
>bend-suspending back of fingering nails, curled there, and or bitten in
>lack thereof  for some, a few letters* are thrown to-word a
>dawn-yawning-desert-screen-sky to come, as if  "He was looking out the
>window," more anchor-sown  to the "or so" of  "ten pages" than to point$
>of departures beyond which "outselves", _sic.,_ could jump around from an
>_etc_.  * - { H.egel, V.alery, K.afka, B.oileau } -
>
>[H.ache V.alze, (Axe Waltz)]
>
>        And with Monday's "Literature and the Right to Death" (LRD) to
>come, my ears are already awl to  _your_ word(s) on  _The Work of Fire_,
>reminding, by beheading speech which looks not  to Artaud and Char (in
>Blanchot) which "respect[s] and preserve[s] this _exteriority_
>{"outselves"} [juxtaposing by leaving each of the terms that come into
>relation _outside_ one another] (_IC_ 308), very much like this petit
>_dit-manche/dimanche_ Night before X-_cote du manche. Hegel's Axe Waltz.
>So(wn),  with Monday _ours_ away, must some "have the action in front of
>[them] beforehand as _entirely [their]_ own, i.e., as an _End."? (Hegel
>in Blanchot, 'LRD', _The Work of Fire_, p. 303). Hegel's Axe Waltz redux.
>
>[V.alse K.iki (Waltz throat)]
>
>        Valery's that is. Valery's 'the arts of fire', where  "risk
>remains the dominating and, as it were, the sanctifying element of great
>art." ("On the Pre-eminent Dignity of the Arts of Fire", _Degas, Manet,
>Morisot_, p. 171). Fire speech waltz about the throat from waking to
>Monday's 'commencement' speaking of ""Literature and the Right to Death",
>like "opening a dictionary one morning,...happen[ing] to read the name[s]
>[Reg, Stawla, Ingrid, Leslie, Samuel, Dr. Purcell, C. Holmes et a
>veritable  who knows who of _et., al.,] in _La Grande Encyclopedie_[.]"
>('LRD', _The Work of Fire_, 304).
>        Where will the orphic voices be, that of Don, Edward, of Ariosto,
>of our d/ear -clear Dr. Clark, and hidden there upon a wave's musical
>surfaces, Daniel; and then to those of Ian Calkins, Chea Prince, here and
>already g/one? Ah!,  Valse Kiki in a "_demarche hors du vrai_" (movement
>outside the true),  push-and-come-to speech's-sho-vel within a
>"deterritorialized" language. (see Blanchot, _The Space of Literature_,
>p. 77).  Such is this Sunday Night's _dit-ma(r)che_ to-words, for-words
>beyond Hegel's _Dimanche_ (Sunday of Life), saved by Valery's "pure
>technique as nothing more than the search for the means by which what was
>previously not written comes to be written." ("LRD", _The Work of Fire_,
>p. 307). Forza, "je me range", and awl-ways to the Baroque.
>
>[K.iki (throat)]
>
>        Alone. Because of it. Yet, and look over there, just a house
>away, "striking 'home' " - lesson-ing what Mo(o)re is said again in "LRD"
>as "..the perfect act through which what was nothing when it was inside
>emerges into the monumental reality of the outside as something which is
>necessarily true, as a translation which is necessarily faithful, since
>the person it translates exists only through it and in it." (_The Work of
>Fire_, 305). Kafka Kiki. Yet here on MB one should ask with Kafka,
>(_Diaries, 1910-1913): "Are the woods still there? The wood were still
>almost there. But hardly had my glance gone ten steps farther when I left
>off, again caught up in the tedious conversation." Because of it, again,
>"He was looking out the window,". (_The Work of Fire_, p. 305). Kiki,
>encore, or Monday mornings white collar?
>
>[B.olide (Meteor)]
>
>        And rowing t/here Boileau, ah!, Boileau avec Juvenal, and
>"J'entends deja partout les charrettes courir" (Already I hear the carts
>hurrying everywhere), (Boileau, _Sixth Satire_, 21) - as "nobis
>properantibus obstat unda prior, magno popolus premit agmine lumbos" (we
>try to hurry, a wave of people blocks us in front, a dense crowd presses
>in on us from behind" (Juvenal, _Satire_, 3: 243-244).  Of  this
>"negative Leda" (see Lacan, _Television_, VII), There-can be invertions,
>and there it is also "What is striking...that in literature, deceit and
>mystification not only are inevitable but constitute the writer's
>honesty,...", ('LRD', _The Work of Fire_, p. 310). Such is the equi-Voce
>Boileau-Juvenal, right?,..."_Aut dic aut accipe calcem_" (speak out, or
>take that upon your shins). Serio Ludere. Oh! Fripon's, that  is the
>"ex-sister au dit", as Lacan's-Heidegger's  _Ekstase_ ('stands apart
>from'), and that is our Ou(s)t-err-standing which makes up the
>"possibility of [your] understanding". ("LRD', _The Work of Fire_, 310).
>
>
>INCIPIT TRAGOEDIA
>Good Monday Morning to ya' ! Rise and Shine,...
>
>entre chien et loup dans
>lalangue trespasses,
>Lucio Angelo Privitello
>
>
>
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