Date: Wed, 4 Mar 1998 08:13:04 +1100 (EST) From: c.holmes-AT-nepean.uws.edu.au (colin holmes) Subject: Re: MB: H.V.K.B: Hache Valse Kiki Bolide Is this what people really want on the list? I had hoped to get an insight into Blanchot's work by listening in: instead all I get are incomprehensible word salads...... I'll unsubscribe and find a decent book instead! Good luck Reg - once Lucio Privitello gets started, you'll need it. Colin Holmes >..and with Monday's "commencement" just up around tonights >bend-suspending back of fingering nails, curled there, and or bitten in >lack thereof for some, a few letters* are thrown to-word a >dawn-yawning-desert-screen-sky to come, as if "He was looking out the >window," more anchor-sown to the "or so" of "ten pages" than to point$ >of departures beyond which "outselves", _sic.,_ could jump around from an >_etc_. * - { H.egel, V.alery, K.afka, B.oileau } - > >[H.ache V.alze, (Axe Waltz)] > > And with Monday's "Literature and the Right to Death" (LRD) to >come, my ears are already awl to _your_ word(s) on _The Work of Fire_, >reminding, by beheading speech which looks not to Artaud and Char (in >Blanchot) which "respect[s] and preserve[s] this _exteriority_ >{"outselves"} [juxtaposing by leaving each of the terms that come into >relation _outside_ one another] (_IC_ 308), very much like this petit >_dit-manche/dimanche_ Night before X-_cote du manche. Hegel's Axe Waltz. >So(wn), with Monday _ours_ away, must some "have the action in front of >[them] beforehand as _entirely [their]_ own, i.e., as an _End."? (Hegel >in Blanchot, 'LRD', _The Work of Fire_, p. 303). Hegel's Axe Waltz redux. > >[V.alse K.iki (Waltz throat)] > > Valery's that is. Valery's 'the arts of fire', where "risk >remains the dominating and, as it were, the sanctifying element of great >art." ("On the Pre-eminent Dignity of the Arts of Fire", _Degas, Manet, >Morisot_, p. 171). Fire speech waltz about the throat from waking to >Monday's 'commencement' speaking of ""Literature and the Right to Death", >like "opening a dictionary one morning,...happen[ing] to read the name[s] >[Reg, Stawla, Ingrid, Leslie, Samuel, Dr. Purcell, C. Holmes et a >veritable who knows who of _et., al.,] in _La Grande Encyclopedie_[.]" >('LRD', _The Work of Fire_, 304). > Where will the orphic voices be, that of Don, Edward, of Ariosto, >of our d/ear -clear Dr. Clark, and hidden there upon a wave's musical >surfaces, Daniel; and then to those of Ian Calkins, Chea Prince, here and >already g/one? Ah!, Valse Kiki in a "_demarche hors du vrai_" (movement >outside the true), push-and-come-to speech's-sho-vel within a >"deterritorialized" language. (see Blanchot, _The Space of Literature_, >p. 77). Such is this Sunday Night's _dit-ma(r)che_ to-words, for-words >beyond Hegel's _Dimanche_ (Sunday of Life), saved by Valery's "pure >technique as nothing more than the search for the means by which what was >previously not written comes to be written." ("LRD", _The Work of Fire_, >p. 307). Forza, "je me range", and awl-ways to the Baroque. > >[K.iki (throat)] > > Alone. Because of it. Yet, and look over there, just a house >away, "striking 'home' " - lesson-ing what Mo(o)re is said again in "LRD" >as "..the perfect act through which what was nothing when it was inside >emerges into the monumental reality of the outside as something which is >necessarily true, as a translation which is necessarily faithful, since >the person it translates exists only through it and in it." (_The Work of >Fire_, 305). Kafka Kiki. Yet here on MB one should ask with Kafka, >(_Diaries, 1910-1913): "Are the woods still there? The wood were still >almost there. But hardly had my glance gone ten steps farther when I left >off, again caught up in the tedious conversation." Because of it, again, >"He was looking out the window,". (_The Work of Fire_, p. 305). Kiki, >encore, or Monday mornings white collar? > >[B.olide (Meteor)] > > And rowing t/here Boileau, ah!, Boileau avec Juvenal, and >"J'entends deja partout les charrettes courir" (Already I hear the carts >hurrying everywhere), (Boileau, _Sixth Satire_, 21) - as "nobis >properantibus obstat unda prior, magno popolus premit agmine lumbos" (we >try to hurry, a wave of people blocks us in front, a dense crowd presses >in on us from behind" (Juvenal, _Satire_, 3: 243-244). Of this >"negative Leda" (see Lacan, _Television_, VII), There-can be invertions, >and there it is also "What is striking...that in literature, deceit and >mystification not only are inevitable but constitute the writer's >honesty,...", ('LRD', _The Work of Fire_, p. 310). Such is the equi-Voce >Boileau-Juvenal, right?,..."_Aut dic aut accipe calcem_" (speak out, or >take that upon your shins). Serio Ludere. Oh! Fripon's, that is the >"ex-sister au dit", as Lacan's-Heidegger's _Ekstase_ ('stands apart >from'), and that is our Ou(s)t-err-standing which makes up the >"possibility of [your] understanding". ("LRD', _The Work of Fire_, 310). > > >INCIPIT TRAGOEDIA >Good Monday Morning to ya' ! Rise and Shine,... > >entre chien et loup dans >lalangue trespasses, >Lucio Angelo Privitello > > > >_____________________________________________________________________ >You don't need to buy Internet access to use free Internet e-mail. >Get completely free e-mail from Juno at http://www.juno.com >Or call Juno at (800) 654-JUNO [654-5866]
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