Date: Thu, 11 Dec 1997 20:28:39 -0500 From: Dr Jamie Brassett <jamie-AT-brassett.demon.co.uk> Subject: Re: BWO + dance I enjoyed reading Steve Goodman's stuff on BWOs & breakbeats. As a Drum & Bass dj & D+G reader I always wondered if there was a link.... Also, I've much enjoyed all the recent stuff from the list on "Contact Improv." I've never come across this before, but the nearest in my own experience is the performance/game/fight of Brazilian *Capoeira*. I've been learning this martial art/dance for six months now & have always been astounded as to how 'orchid + wasp'-like the two "players" of *capoeira* become whilst "playing"...but maybe that says more of my reading of the *jogo*. Is it time to expand upon D+G's elucidation of "assemblages" here? [At the recent D+G conference at Warwick, Michael Eardley gave an *astounding* paper which mapped a reading of D+G's "assemblages" onto the cognitive science/ethological accounts of primates. If the proposed publication of papers from this conference comes off, then it would be worth buying for this paper (& El Albert's) alone.] Which brings me back to Drum & Bass...some of my *Capoeira* academy's performances take place (Sat. nights) in a London club called 'The Complex'. The room we perform in is the one usually given over to Drum & Bass...the Brazilian/Angolan rhythms we chant & play are not a million miles away fom this music. As I don't have any *Capoeira* music, I train at home to D'nB...it helps. And if I had the vinyl, I'd drop *Capoeira* tunes into my own sets. What bizarre desiring-machine, mutant-assemblage is being built around me? over me? through me? sweeping me along as it smooths space between south London, Angola, Brazil, the Histories of Slavery, European Imperialism & 20th C. popular music, Acid House & Drug Culture in Britain since the 60s... Any more deleuzoguattarian jungle capoeiristas out there? maybe we could form a support group.... Jamie
Display software: ArchTracker © Malgosia Askanas, 2000-2005