Date: Thu, 21 Jan 1999 02:36:47 -0500 (EST) From: yaya <cw_duff-AT-alcor.concordia.ca> Subject: -labour/Hegel/sadness/Spinoza =09Some excerpts re:Deleuze references to Hegel and Spinoza. GILLES DELEUZE - SEMINAR SESSION ON SCHOLASTICISM & SPINOZA Vincennes, 14 January 1974 Translated by Timothy S. Murphy murphyx-AT-ucla.edu We had begun with Spinoza for Spinoza is perhaps the only one to have worked from the point of view [sous les esp=CBces] of reason, to have pursued a kind [esp=CBce] of mad thought. There's always in Lovecraft, the author of novels of terror and science fiction, there's always reference to a mysterious book which falls from the hands of whomever touches it and this book is called the Necronomicon, the famous book of the mad Arab. And Spinoza's Ethics is just that, the famous book of the mad Jew. The true name of the Ethics is the Necronomicon. I had begun by explicating the following: imagine how Spinoza saw things; when he directed his eyes toward things he saw neither forms nor organs, neither genera nor species. It's easy to say, but less easy to live like that. It's necessary to train one's self, although there are those who are gifted. I open a parenthesis: French philosophy...there are bits of nationality about which I understand nothing, but I note that the French are the sort who believe for example in the ego [moi]; it's not by chance that their only philosopher said "cogito." The subject, the ego; there are some strange people who say "the ego." I don't understand. I think of the differences of nationality because the English are the sort who have never understood what the Ego means. There was a famous colloquium to which all the sorts of so-called analytical philosophy, of current English logic, had come, and then there was Merleau-Ponty on the French side, and the others, the English, were there like they were at the zoo. It's not that they were against him. But it's quite curious, if you take the great English philosophers-of course, they say "I," but yet again it's not this that's the problem-for them it's the most comical notion and they ask themselves from where can such a belief, that of the ego, come. A belief in the identity of the ego is a madman's trick [truc de fous]. And they really think like that, they don't sense "egos" in themselves. The English novelists are similar: their heroes are never presented as "egos." Think of French novels, then it's truly the opposite, one wallows in "egos," everybody says "cogito" in the French novel. Let's try to imagine how Spinoza saw things. He did not see genera, species, he did not see categories, so what did he see? He saw differences of degrees of power... I said broadly that to each thing will correspond a kind of degree of power and that, if need be, two things said to be of the same species might have degrees of power much more different that two things of different species. To make this more concrete we say that to each degree of power corresponds a certain power of being affected. Its power of being affected is what reveals the degree of power of a thing, of an animal, of [GAP IN TRANSCRIPT], in other words: you will not be defined by your form, by your organs, by your organism, by your genus or by your species, tell me the affections of which you are capable and I'll tell you who you are. Of what affects are you capable? It's self-evident that between a draft horse and a racehorse the power of being affected is not the same, in a fundamental way; the proof is that if you put a racehorse into the assemblage of a draft horse, it's quite likely that it will be worn out in three days. We have this group of notions: being is said in one and the same sense of everything of which it's said; hence beings are not distinguished by their form, their genus, their species, they're distinguished by degrees of power. These degrees of power refer to powers of being affected, the affects being precisely the intensities of which a being is capable. Now it's becoming more coherent. With the result that, I assume, when Spinoza directed his eyes toward whatever, he grasped powers of being affected. He grasped populations of intensities, he grasped capacities and perhaps he confused an ox and a draft horse, and on the other hand he did not confuse a racehorse and a draft horse. As we would say today, he makes these cuts [coupures] differently than the others. Then there's no longer just an effort to do: in any case, it's not necessary to believe that power [pouvoir] means a possibility that might not be fulfilled. Power [puissance] and degrees of power, this is no longer the Aristotelian world which is a world of analogy, it's not power which is distinguised from the act. The power of being affected, in any case, is or will be fulfilled, is fulfilled at each instant; it's necessarily fulfilled, and why? It's necessarily fulfilled at each instant by virtue of the variable assemblages into which it enters. That is, the affect is the manner in which a degree of power is necessarily actualized [effectu=C8] as a function of the assemblages into which the individual or the thing enters. A power of being affected is always fulfilled; it can be fulfilled in different ways, everything depends on the assemblage. In what ways can it be fulfilled, since it's fulfilled in any case? This is Spinoza's last thought: he says broadly that it's fulfilled in any case, but it can be fulfilled in two fashions. A degree of power is necessarily realized, or a power of being affected is necessarily fulfilled, that refers to these same two propositions, but very broadly speaking it can be fulfilled in two directions: either my power of being affected is fulfilled in such a way that my power of acting increases, or in such a way that my power of acting diminishes. Spinoza specifies: when my power of acting diminishes, this means, very broadly speaking, that my affects are sad; my power of being affected is completely fulfilled by sadness. For example "I'm guilty" or "I'm depressed" or "it's not going well"; but "it's not going well" completely fulfills my power of being affected. And why, when my affects are sad, is my power of acting diminished while my power of being affected is fulfilled? The way in which Spinoza views people is very very beautiful. It's even more beautiful when one sees the objections that people made to him, for example that imbecile [d=C8bile] Hegel. When Hegel says, against Spinoza, "ah that one never understood anything of the labor of the negative," it's perfect, the labor of the negative is a load of crap. It's not that he doesn't understand, he understands very well: the labor of the negative or the sad passions are those which fulfill my power of being affected in conditions such that my power of acting necessarily diminishes. When I'm sad my power of acting diminishes. It's obvious, it sufficed to think it: when you're affected with sad affects there's an object, something, an animal or a person which combines with you and that person or thing affects you with sadness. But in the case of the sad affect, the power of the other thing and your own would be subtracted since all your efforts at that moment would consist in struggling against this sadness and hence your power and the power of the thing which affects you would be subtracted. When, on the contrary, you are affected with joyful affects, the power of the thing which affects you with joyful affects and your own power are combined and added so that your power of acting, for that same power of being affected which is your own, is increased. Thus everything is crystal clear. There you are, the linkage of notions: univocity of being, differences of degrees of power, powers of being affected each of which corresponds to a degree of power, power of acting which increases or diminishes depending on whether the affects which fulfill your power of being affected are by nature sad or joyful.
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