Date: Tue, 26 Jan 1999 13:29:48 -0500 (EST) From: Orpheus <cw_duff-AT-alcor.concordia.ca> Subject: Re: Course Outline <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><> 20th Century Avant-Garde Noise=09117-494B Aden Evens=09=09aden-AT-who.net=09781 641 1798 Strathcona C-204=09Fridays, 2-5pm Schedule: Jan 8 Introduction Assignment: Begin listening log Jan 15 Turn of the century music Reading: Arnold Schoenberg, "New Music, Outmoded Music, Style and Idea" in Style and Idea Theodor Adorno, "Schoenberg" in Prisms Murray Dineen, "Adorno and Schoenberg's Unanswered Question" in The Musical Quarterly Adorno on Berg in Quasi Una Fantasia Deleuze and Guattari, "Micropolitics and Segmentarity" in A Thousand Plateaus Jan 22 Mid century experimentalism and early electronics Reading: John Cage, No. 5 in Correspondence Cage, excerpts from Silence Pierre Boulez, No. 31 in Correspondence Boulez, "Form" in Orientations Karlheinz Stockhausen, "Moment form", "Four Criteria", "Intuitive music", and "Comme le temps passe" Ronald Bogue, "Rhizomusicology" in SubStance Deleuze on Boulez and Proust in Angelaki Jan 29 Notation Reading: Jean-Charles Fran=E7ois, "Writing Without Representation and Unreadable Notation" in Perspectives of New Music Jerome Dokic in Angelaki on Cage and notation Boulez, "Time, Notation, and Coding" in Orientations Deleuze and Guattari, "The Smooth and the Striated" in A Thousand Plateaus Harry Partch in Contemporary Composers Assignment: learn to read music (if you don't already know, get a friend to explain) Feb 5, Feb 12 Minimalism Reading: Wim Mertens, American Minimal Music Steve Reich, excerpts from Writings on Music David Schwartz, excerpts on Reich from "Listening Subjects" in Perspectives of New Music Deleuze, excerpts on immemorial time and hidden repetition in Difference and Repetition Sound per se Reading: Reinier Plomp, "Music and the Ear" in the International Mozart Musicstudies Conference Proceedings Alvin Lucier in Words and Spaces Assignment: research acoustics Feb 19 Late century classical Reading: Tony Conrad, liner notes to Early Minimalism Volume I Alvin Lucier in Contemporary Composers Milton Babbitt in Contemporary Composers LaMonte Young interview in The Wire LaMonte Young interview in Just Intonation Journal LaMonte Young, "Romantic Symmetry" in Sound and Light Tom DeLio, "Sound, Gesture, and Symbol" in Interface Brian Eno, ""Generating and Organizing Variety in the Arts" in Breaking the Sound Barrier Feb 26 no class, suicide week Mar 5 Music and sense Reading: Aden Evens, "Sound Ideas" in CRCL John Rahn, "Differences" in Perspectives on New Music Optional: Fran=E7ois Lyotard, "Plusieurs Silences" in Des dispositifs pulsionnels, in French, on reserve Assignment: First paper due Mar 12 Electronica and other musical directions Reading: John Fitzgerald in Angelaki on raves Philip Tagg, excerpts on rave music's character Tim Murphy in Angelaki on Boulez vs. Coleman Deleuze and Guattari, "Of the refrain" in A Thousand Plateaus DJ Spooky, two articles in Artforum and Parkett Assignment: Proposal due Mar 19 Production/reproduction Reading: Jean Baudrillard, Simulations, 115-end Ken Pohlmann, excerpts from Principles of Digital Audio Jaques Attali, excerpts from Noise Brian Massumi, excerpt from "Parables for the Virtual" (handout) Assignment: research music studio production, parts of studio, process, etc. Mar 26 Technology Reading: Barry Truax, "Musical Creativity and Complexity at the Threshold of the 21st Century" in Interface Agostino Di Scipio on music and technology in Angelaki Assignment: research types of synthesis Apr 2 no class, Jesus dead Apr 9 Wrap-up Student presentations ??? final paper due final project due Assignments: 1) Listening log 2) Papers There are three required written submissions. The first is a short paper. Then a proposal, describing both your final project and your ideas for writing about it. Then, at the end of classes, the final project is due, with written commentary to follow some weeks later. 3) Listening Marking: Class participation=0925% Short paper=09=0915% Final paper=09=0935% Final project=09=0925%
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