Date: Mon, 3 Dec 2001 06:41:45 -0500 (EST)
From: walter a davis <davis.65-AT-osu.edu>
Subject: Re: Face, and Cinema + Nietzsche



What about the camera as it moves in on Liv Ulmann's face early in Persona
to a Bach Adagio as twilight moves toward night and we "enter" briefly the
innermost recesses of.... walter a davis
At 03:23 PM 12/3/01 +1100, you wrote:
>Charles
>
>There is a connection between the face as a pose in _Cinema 1_ and 
>the opening chapters of the Kafta book which may be worth looking at.
>
>When I was an undergrad one of the film majors made a short video on 
>the face and the time image but being some time ago, now, I forget 
>the connection. Faciality and cinema does have some currency here in 
>Aust but I don't keep up with it. I think Maria Angel has recently 
>had a paper published on this. (Sorry, don't know where but can ask 
>if a lit search don't work out.)
>
>best
>
>Chris Jones.
>
>> >--- "Charles J. Stivale" <ad4928-AT-wayne.edu> wrote:
>> >>Dear Colleagues,
>> >>
>> >>A query perhaps to start a new string: I have been
>> >>corresponding with a friend who is working on
>> >>the 'faciality' concept AND on cinema, how
>> >>'faciality' might intersect as a concept with cinema
>> >>studies. One obvious direction is how this concept
>> >>might manifest itself in Deleuze's Cinema volumes.
>> >>Does anyone have any thoughts on either or both of
>> >>these question -- how 'faciality' as concept might
>> >>serve as a tool for cinema analysis, and/or
>> >>how 'faciality' emerges in the Cinema books?
>> >>Thanks,
>> >>CJ Stivale
>
>