From: Leskenoi-AT-cs.com Date: Wed, 26 Jun 2002 20:01:41 EDT Subject: Re: kafka In a message dated 6/26/02 2:12:15 PM Pacific Daylight Time, Dreamduke-AT-aol.com writes: << is anyone working on kafka through deleuze and guattari, in particular their sense of minor literature in relation to modern and postmodern literature >> At the risk of being a little glib in characterizing what is not an easy book to summarize, I would say that the problematic in D and G's Kafka book is a little different than this way of posing the issue (that is, in terms of modern/postmodern literature). I would choose to say rather than the category of minor literature dismantles the concept of the "literary" as such, from within. Kafka's writing, for D and G, is a machine that dismantles the literary and all of its organizing concepts (genre, period, style, national literature, etc.). That's why they radically reduce the difference between Kafka's literary and "nonliterary" textual production: it's all part of the same writing machine, for them. Perhaps the concept of the "machinic" could be related to a problematic of modernity and postmodernity, but I don't sense that's what D and G are really interested in. I think the property of the machinic in Kafka's text D and G identify could be more productively related to an ontology of becoming, a line of flight outside of the realm of the literary and its codifications, and really has more to do with a phenomenology that passes beyond the limits of the human body and subjectivity. This is why the animal stories in Kafka, and the proposition of becoming-animal, is so important to their approach to his work. Their book aims to show how Kafka's writing machine subverts all manner of abstractions, from religious transcendence to the law to literature as such. They see Kafka as an imminent, worldly writer whose writing machine has more to do with a "visceral philosophy" or even ontology than it does with purely literary or temporal categories. For what it's worth.
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