Date: Thu, 06 Jun 2002 09:15:38 -0300 Subject: Re: heterotopias From: "Mario y Felisa Gradowczyk" <mgrado-AT-mail.interlink.com.ar> > THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand this format, some or all of this message may not be legible. --MS_Mac_OE_3106199738_42901_MIME_Part Hallo Would you like to pinpoint where to find "Of the other spaces" ? Mario H. Gradowczyk ---------- From: simone bignall <sbig3225-AT-mail.usyd.edu.au> To: deleuze-guattari-AT-lists.village.virginia.edu Subject: Re: heterotopias Date: Wed, Jun 5, 2002, 5:11 PM Hello, see also Foucault's article "Of Other Spaces" for a detailed discussion of heterotopia. ----- Original Message ----- From: Mario y Felisa Gradowczyk <mailto:mgrado-AT-mail.interlink.com.ar> To: deleuze <mailto:deleuze-guattari-AT-lists.village.virginia.edu> Sent: Wednesday, June 05, 2002 7:48 AM Subject: heterotopias Dear friends In "The order of things", M. Foucault introduced the concept of heterotopias ( Preface p. xviii). In his own words, "heterotopias (such as those found so often in Borges) dessicate speech, stop words in their tracks, contest the very possibility of grammar at its source; they dissolve our myths and sterilize the lyricism of our sentences". This concept has been used in art criticism and architecture. Might anyone add any comment to that definition or relate this concept to D & G concepts? Thank you Mario H. Gradowczyk --MS_Mac_OE_3106199738_42901_MIME_Part
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Hello,--MS_Mac_OE_3106199738_42901_MIME_Part--
see also Foucault's article "Of Other Spaces" for a detailed discussion of heterotopia.
----- Original Message -----
From: Mario y Felisa Gradowczyk <mailto:mgrado-AT-mail.interlink.com.ar>
To: deleuze <mailto:deleuze-guattari-AT-lists.village.virginia.edu>
Sent: Wednesday, June 05, 2002 7:48 AM
Subject: heterotopias
Dear friends
In "The order of things", M. Foucault introduced the concept of heterotopias ( Preface p. xviii). In his own words, "heterotopias (such as those found so often in Borges) dessicate speech, stop words in their tracks, contest the very possibility of grammar at its source; they dissolve our myths and sterilize the lyricism of our sentences".
This concept has been used in art criticism and architecture.
Might anyone add any comment to that definition or relate this concept to D & G concepts?
Thank you
Mario H. Gradowczyk
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