From: "fili houtman" <filihoutman-AT-hotmail.com>
Subject:  Wedsnaday; Pierrete Fleutiauxx!!hello!!!
Date: Wed, 09 Jul 2003 18:01:11 +0000




Hello. Fleutiaux Pierrette, she is a good soul from Paris, please G-D have 
mercy upon her. And upon Madonna the pop str star also. She exp�riences 
strange things when doing the msuic. This is the intro preface Pierret DID 
for her work. I have no guts to transcode it otherly than in this way.

Preface to

Le gouffre et la Lunette (about which ther�s a chapter in ATP !!!)))

These stories ar�e amongst the first ones I have ever been publishing. As 
after their being first ever published, I received somwhat the important 
label of being  a writer for fantastical stories.  Which has surprised me, 
on the � blow �.  For indeed, such is the World, that it is a very kind of a 
very very strange place (nothing changed as after so much years ; if not 
that now I have learned the tricks of it J : ; nevertheless, I have got this 
overall feelings, of to be telling ordinary stories ; of which everyones has 
been given a glance : what is it to be a married woman, the vertigo of sex 
into a young couple, the overwhelming complexity of loving relationships, 
and those are the ones of the noter-daughter relations hip. And the Anguish 
(angustura) of the ephemerous ; the individuel relation to polis ; etcz

Italo Calvino, in his � Cosmicomics �, places the locus of his writing in a 
cosmos being constructed. That is to take much drawback ; this gives 
delirious stories, funny and charmingly crazy.

For my own novels, I was being observing World from where I was living 
alive., but from an hypothetical place, a place as taken before the � 
marking � (religious, social, political, linguistique, etc) This one was 
doing least than Italo, but of the same time it was more myst�rieuses, or 
mysterial. There are codes, aint there ?, which are constructing the 
shelters for ours wenceslas, and homes to slumbering our fears. What I think 
I wanted to transcode all the codes, to cut through all of the codes. OK.

As to say it, in an other way : What that I was looping : I was looping at, 
as the world into litterary equation, to localise in words. This was with a 
kind of an intellectuel fanaticism. This kind of a fanaticism one can have 
in his youth.

But that fini shed in sparklet of laughters, too !, these stories ; the ones 
that I was driving on, (the ones I was riding), they were taken me a while, 
I was going into them deep. Hum.
`
Fantastic ? Then ? However this word casts out ghosts and majoral castles to 
my own imagination,  and that no thing out of this, is present at all in my 
OWN stories ;  let�s KEEP this wordage, lack of any other any good any 
better (best). OK bis.

THIS also : It took me so many years, for me to at least be deserting the 
one there � fantastical �, and that I might aboard the true � novel �. But, 
yes, but, I do not have the clue be it a maturation, or of a reddition. Of a 
juster accuity of perceptions, or to tha contrarie, of a g�n�ral fading of 
me, of a gratter courage, or of then a sort of being used by things ?  I d 
like to come back to this kind of vision, of writing. Then I might not be 
sure, I could do this.

Question of Genre.

I had problem with gendre, at this epoch of the year. (many women writing 
have had probl�mes with the gendre, or will have) Outside of two or three 
stories, narration is taken to the male. Not that it matters of specifically 
narrators male. Ther neurtral. Thats what I wanted. Sexy, but neutralised. 
Or la langue fran�aise (� meanwhile french lingua �) ; does not have neural 
for the � Human � What they have is � il � (he) ; and � elle � (her) ; and 
all of our adjectives follow from this). Unfortunately, and how so woresome 
for us all humans,  the women, � he � serves both for human and male.  As a 
logickal consequensialism, that � elle � her ; was exclusively phemynyne. 
WAS often FELT as a MODALITY of the human. As consciencieusement, in second, 
that same story, doesn�t imply the same perception, if it was told by a 
fe-male or a male.

Imagine then Zarathustra being a female, you know what I am talking about ?


The things are hithertho written i n this way, in this fantasy, that, well, 
i don�t know, do you see what : things are so w�rmienne, and lingua she cant 
be changed at all, and, with no the least of doubt, we could weight on ways 
to use lingua, It is probable that today,, the � I � neural ; I put into my 
stories, would be � elle �. I have so have I changed, society so, she as 
change, partially to the menos. (least of all).

OK fine.


This so, because I want to know, the woman sex writing on this list, do you 
know of pheminist writer. who has criticised the subjectivation protestes, 
as this text, which i like, his testifying, also madonna loves for the 
Christ, that wuz the idea. Pierrette wants to cut trhough all the codes but 
cant get away from Christ, as symbol maybe, but also, i think its a lack of 
metaphysical courage which  vivifyes this kind of inertie.Christ could not 
be male, it seems they never think about this. I mean I have seen a christ 
on the road and he had bees in his hands. Its irrelevant in here, but this 
was a statue i had also been taken into digital.
Madonna songs on americana way of life his good dosent you think. I think 
she s progressing.

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