From: "fili houtman" <filihoutman-AT-hotmail.com>
Subject: Re: first course in understanding Badiouism note
Date: Sat, 26 Jul 2003 12:00:40 +0000




well, what i have written is just a squetch of a book, an explanation of the 
relation intelligence entertains with materialism. i would like to expose 
the two phases in the concept of capital as pendulum showing a tail, which 
swings between it's two UNIQUE components:

Constant Capital
Variagating Capital

After Monnet i wish I could, but I cannot apply, the variation of Blue, to 
the unlimitted of Deleuze. the Unsophisticated word, that Protagoras found 
with Critias, was to consider the inverse balance of negative intra overdive 
attacks undercurrents. But Monnet was painting the layers of Time in a wall, 
in three different pigments: Violet (Lilly) Fushia (George Sand), and Lillak 
(Rose). Giverny is his place of Birth. The little boat there was once, was 
Capital. It could think about language, because he was a G-D. His nurse went 
to see the Pharao, and it was Ramses the Second which has built one billions 
houses for the next one thousand generations. Cheops. No, my thinking has 
taken a fork and must go back to the more beautifull essence of what i was 
trying to explain the angels of this forum. You are marvelous, everybody 
here. We are writing on the computer, and then I went a way in the forest to 
do street painting and body recuperation. They said, the horses said to 
Fili: language is this, it's what I am using to communicate with angelic 
fluids, Bodies, with or without, inside or outside, is language, the 
structure inside it, constructing it's exterior enveloppe wich appears to 
the Angels. Tell this to the Sophist, so that speech comes to his lips, and 
the milk falls drop by drop of milk, to Badiou our amirer. Ame Amiral 
Charcoal. Koala. No there was too much violence in Charley's Angel, 
obviously Jennifer was spontaneous, but she was writing with a language 
which she did not master in such circumspection than she could not have 
wished to go and pay tribute to the Sophist arrangement. The nomad sophist 
machine of faking Capital Constant at the but Beyounce knew it that she had 
taken her style from the Sophistication of Anti Capitalist resistance. Fili 
tried to take the darkness of language in her full possession, publicly. The 
intimate order from the Television came, as a corner of Sophistication in 
the room, Monnet becoming a sunflower. VanGogh giving back the ear to the 
Koala, the Admiral Charcoal, and Badiou the counter clock wiser advising to 
quit Titanic. But which was the easiest gate , and would it open, where, in 
which was the rescue squad boat will fall from the Violet, Fushia, and 
Lillak (rose), the three colours of variagation after the Apocalypse of the 
Language, wondered deeply myself, when I was alone, somewhere, and near you, 
and it was relatively a question, and thus she was wondering, how am I 
different to Deleuze, as she looked at the Television in this corner, 
talking from the Apocalypse three Monnet Giver Ny pigment (Violet Fushia 
Lillaka (Rosa)), the unmeasured, had warned Deleuze. But down as a bird came 
the good expression: the unevaluabable, that was the word to fight the 
Sophist in the Forest. A this precise moment came flying a bird in her 
house, and she smiled at it as Mona Lisa.

_________________________________________________________________