From: "Sadie" <Sadiec-AT-brookers.co.nz> Date: Fri, 19 Sep 1997 12:26:53 +1200 Subject: another thought Hello again. I just had another idea about an Australian movie called "Priscilla Queen of the Desert". This is a fairly lightweight but pleasant movie (saved by great costumes and some sensitive acting from Terrence Stamp) about 3 queens who travel to a gig across Australia, performing a couple of times along the way in small town pubs. It's mostly about the bigoted reactions of the "country hicks" to the performers, but part of the plot is a love story between Terrence Stamp's transexual character and a small-town mechanic whose wife leaves him because he is hampering her own performances. This all comes about when the 2 Queens of the Desert get dressed up to perform at the local pub (with some reluctance). They greeted with indifference, but the crowd gets going when the "stage" is taken over by the mechanic's wife, who starts off with a similarly over the top routine to the trio but soon gets into crowd-pleasing activities such as firing ping-pong balls from her vagina, and opening bottles of beer with it also! Our heroes realise that they can't compete with a real woman on this front and depart, but with some admiration on the part of the most camp of the 3. Make of this what you will. The 3 ARE portrayed throughout the film as heroic in their role as spectacle, and the film does seem to suggest that the real woman performing in this way is a bit tacky, whereas the men are dignified in their performance. But can men only be heroic as spectacle when pretending to be women? I dunno. I definitely feel that women are stilled the viewed object in our society, the muse to the male viewer. There is an ad on NZ television at the moment which plays on this. I was getting annoyed when I first watched it because it features a big posh car driving along, from the point of view of the driver, who keeps being ogled by all these model-like young women. This would be a typical bloody car ad, as it generally seems only men are allowed to want cars (just like only men are allowed to enjoy rock music - just look at all the album covers featuring women thrusting their breasts out, completely gratuitously), but the twist is that when the car door opens we see that the driver is a young woman. (Just so we don't get confused and think she might be a lesbian due to all the attention she has been getting, she gets out of the car to greet her two small children - but no man, which is refreshing). In this case it seems the woman is a spectacle, but in a sort of heroic kind of way. That other film I mentioned, The Virgin Machine, should interest you as the stripper in it is never condemned for performing for a living. In fact the heroine is shown to have been overly romantic in expecting love from her, as she was just doing her job. Sorry if I'm a bit incoherent, I'm in a hurry to get away for a holiday! I hope some of this ramble has been of use. --- from list film-theory-AT-lists.village.virginia.edu ---
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