File spoon-archives/film-theory.archive/film-theory_1997/film-theory.9711, message 126


Date: Fri, 21 Nov 1997 09:20:09 -0500
From: chris mills <cam41-AT-cornell.edu>
Subject: Re: digital and film theory


hey tim, this is a great bibliography, maybe people in our class would
want to see it? do you have a hard copy of it?


cm


At 11:05 PM 11/20/97 -0500, you wrote:

>>>>

<excerpt><fontfamily><param>Palatino</param><bigger>Sorry for the length,
but I thought some readers might be interested in this selective
bibliography assembed by Patricia Zimmermann, Zillah R. Eisenstein, and
me for the Flaherty Film Seminar held at Ithaca College in October. 


Tim Murray


Aronowitz, Stanley, Barbara Martinsons and Michael Menser, eds.
<bold><italic>Technoscience and Cyberculture. </italic></bold> New York
and London: Routledge, 1996.


<bold><italic>Art and Technology</italic></bold>. Art & Design Profile
39. London: Academy Editions, 1994.


Barrett, Edward, ed. <bold><italic>Sociomedia, Multimedia, Hypermedia and
the Social Construction of Knowledge</italic></bold>. Cambridge: MIT P,
1994.


Benedikt, Michael, ed. <bold><italic>Cyberspace: First
Steps</italic></bold>. Cambridge:  MIT P, 1991.


Cherny, Lynn, and Elizabeth Reba Weise, eds. <bold><italic>Wired Women:
Gender and New Realities in Cyberspace</italic></bold>. Seattle: Seal,
1996.


Conley, Verena Andermatt, ed. <bold><italic>Rethinking
Technologies</italic></bold>.  Minneapolis: U of Minnesota P, 1993.


Derrida, Jacques. <bold><italic>Archive Fever: A Freudian
Impression</italic></bold>.  Chicago: U of Chicago P, 1996.


 Dery, Mark. <bold><italic>Escape Velocity: Cyberculture at the End of
the Century</italic></bold>.  New York: Grove, 1996.


Druckery, Timothy, ed. <bold><italic>Electronic Culture: Technology and
Visual Representation</italic></bold>. New York: Aperture, 1996.


---. <bold><italic>Iterations: The New Image</italic></bold>.  New York:
International Center of  Photography; Cambridge, MA and London: MIT P,
1993.


Gomez-Pena, Guillermo. <bold><italic> New World Border</italic></bold>.
San Francisco: City Lights, 1996.


Hamelink, Cees, <bold><italic>Trends in World Communication: On
Disempowerment and Self-Empowerment</italic></bold>.  Penang, Malaysia:
Third World Network/Southbound, 1994.


Hayward, Phillip and Tana Wollen, eds. <bold><italic>Future Visions: New
Technologies of the Screen</italic></bold>.  London: British Film
Institute, 1993.


Kroker, Arthur, and Marilouise Kroker. <bold><italic>Digital
Delirium</italic></bold>.  New York: St. Martin's,  1997.


Landow, George P. <bold><italic>Hyper/Text/Theory</italic></bold>.
Baltimore: Johns Hopkins UP, 1994.


"Landscape(s)." <bold><italic>Felix: A Journal of Media Arts and
Communication</italic></bold> 2.1 (1995).


Leeson, Lynn Hershman, ed. <bold><italic>Clicking In: Hot Links to a
Digital Culture</italic></bold>.  Seattle: Bay, 1996.


Lovejoy, Margot.<bold><italic> Postmodern Currents: Art and Artists in
the Age of Electronic Media</italic></bold>.  Upper Saddle River, New
Jersey:  Prentice Hall, 1997.


Ludlow, Peter, ed. <bold><italic>High Noon on the Electronic Frontier:
Conceptual Issues in Cyberspace</italic></bold> Cambridge: MIT P, 1996.


Markley, Robert, ed. <bold><italic>Virtual Realities and Their
Discontents.  </italic></bold>Baltimore:  Johns Hopkins UP, 1996.


Miller, Steven E.<bold><italic> Civilizing Cyberspace</italic></bold>.
New York: Addison Wesley, 1996.


Negroponte, Nicholas. <bold><italic>Being Digital</italic></bold>.  New
York: Vintage, 1995.


Reynolds, Robert and Thomas Zummer, eds., <bold><italic>Crash: Nostalgia
for the Absence of Cyberspace</italic></bold>.  New York: Thread Waxing
Space, 1994.


Rheingold, Howard. <bold><italic>The Virtual Community</italic></bold>.
New York: Harper Perennial, 1993.


Rodowick, D. N. "Audiovisual Culture and Interdisciplinary Knowledge."
<bold><italic>New Literary History</italic></bold> 26 (1995): 111-21.

<<www.rochester.edu/College/FS/Publications/AVCulture/1AVCHome.html>


Ross, Andrew and Tricia Rose, eds. <bold><italic>Microphone Fiends: Youth
Music, Youth Culture</italic></bold>.  New York: Routledge, 1994.


Sardar, Ziaudden and Jerome Raretz, eds.
<bold><italic>Cyberfutures</italic></bold>. New York: NYU P, 1996.


Schiller, Herbert. Information Inequality: <bold><italic>The Deepening
Social Crisis in America</italic></bold>.  New York: Routledge, 1996.


Sinclair, Carla.  <bold><italic>Net Chick: a Smart-Girl Guide to the
Wired World</italic></bold>.  New York: Henry Holt & Co., 1996.


Spender, Dale.  <bold><italic>Nattering on the Net:  Women, Power and
Cyberspace</italic></bold>.  Australia:  Spinifex Press, 1995.


Springer, Claudia.  <bold><italic>Electronic Eros: Bodies and Desire in
the Postindustrial Age</italic></bold>.  Austin: U of Texas P, 1996.


Stone, Allucquere Rosanne.<bold><italic> The War of Desire and Technology
at the Close of the Mechanical Age</italic></bold>. Boston, MIT, 1996.


Terry, Jennifer and Melodie Calvert, eds.  <bold><italic>Processed Lives:
Gender and Technology in Everyday Life</italic></bold>. London & New
York:  Routledge, 1997.


UNESCO. <bold><italic>Our Creative Diversity: a Report of the World
Commission on Culture and

Development</italic></bold>. Paris, France: United Nations, 1995.


Virilio, Paul,  trans. Julie Rose. <bold><italic>Open
Sky</italic></bold>. London: Verso, 1997.


Wasko, Janet. <bold><italic>Hollywood in the Information
Age</italic></bold>.  Austin: U of Texas P, 1994.


Weber, Samuel. <bold><italic>Mass Mediauras: Form, Technics,
Media</italic></bold>. Stanford: Stanford UP, 1996.


Woolley, Benjamin. <bold><italic>Virtual Worlds: A Journey in Hype and
Hyperreality</italic></bold>.  New York: Penguin, 1994.







<bold>FRENCH


</bold>Duguet, Anne-Marie, Florence de Miredieu, Jean-Louis Weissberg,
Anne Cauquelin.  <bold><italic>Paysages Virtuels</italic></bold>. Paris:
Dis- Voir, 1988.


Levy, Pierre. <bold><italic>Les technologies de
I'intelligence</italic></bold>.  Paris: La
D</bigger></fontfamily><bigger><fontfamily><param>Times</param>é</fontfamily><fontfamily><param>Palatino</param>couverte,
1990.


---. <bold><italic>Qu'est-ce que le virtuel?</italic></bold>.  Paris: La
D</fontfamily><fontfamily><param>Times</param>é</fontfamily><fontfamily><param>Palatino</param>couverte,
1995.


Virilio, Paul. <bold><italic>Cybermonde, la politique du
pire</italic></bold>.  Paris: Les
</fontfamily><fontfamily><param>Times</param>=C9</fontfamily><fontfamily><param>Palatino</param>ditions
Textuel, 1996.



<bold>BOOK/CD-ROM


<italic>Artinact 1, 2, 3</italic></bold>.  Ostfildern: Cantz Verlag;
Karlsruhe: ZKM.


Leeson, Lynn Hersham, ed.  <bold><italic>Clicking In: Hot Links to a
Digital Culture</italic></bold>.  Seattle, Washington: Bay, 1996.


Piper, Keith.  <bold><italic>Relocating the Remains</italic></bold>.
London: Institute of International Visual Arts, 1997.


Revue Virtuelle.
<bold><italic>Actualit</italic></bold></fontfamily><bold><italic><fontfamily><param>Times</param>é</fontfamily><fontfamily><param>Palatino</param>
du virtuel/Actualizing the Virtual</fontfamily></italic></bold><fontfamily><param>Palatino</param>.  Paris: Centre Georges Pompidou, 1996.


Bibliography compiled by Zillah R. Eisenstein, Timothy Murray, Patricia R. Zimmermann.




</fontfamily></bigger> Timothy Murray

Professor

Director of Graduate Studies in Film and Video

Acting Director of Graduate Studies in English

250 Goldwin Smith Hall

Cornell University

Ithaca, New York 14853

607-255-7989 (voice)

607-255-6661 (fax)

tcm1-AT-cornell.edu (e-mail)



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