Date: Fri, 26 Feb 1999 16:40:29 -0600 (CST) From: olivera-AT-UTARLG.UTA.EDU Subject: RE: Sociology-Film on the 'feminist' note again--how about 'thelma and louise'? o On Fri, 26 Feb 1999, Tocce, Vince wrote: > Luke (and sociological film friends), > > This might be getting away from the topic, but I found it funny that you > mentioned _The Piano_. I just saw _The Real Blonde_ (Tom DiCillo 1998) and > there is a humorous scene in which the characters are in a restaurant > debating whether or not _The Piano_ (which they pretentiously refer to as > "il piano") deserved the recognition that it was awarded. I felt DiCillo did > a fine job of showing how subjective our individual views and > interpretations of particular films really are. I think that scene most > definitely has a sociological angle, considering that the conversation the > characters have spreads to all the people in the restaurant. You'll have to > tell me what "subfield" it might fall under. I'm also curious as to why this > effort from DiCillo was overlooked. (Not that I think it is a masterpiece or > anything.) Perhaps the big wig studio heads shied away from it because they > couldn't tell whether or not DiCillo was fully mocking the industry? > > > -Vince > > > > > > ---------- > > From: Luke Lindhjem[SMTP:llindhje-AT-vt.edu] > > Sent: Friday, February 26, 1999 10:52 AM > > To: film-theory-AT-lists.village.virginia.edu > > Subject: Re: Sociology-Film > > > > Odul, here are some films I could think of off the top of my head for some > > of the subfields you mentioned... > > -Marxist Sociology: The Battleship Potemkin, directed by Sergei > > Eisenstein...the entire film is based on Marxist philosophy. There is no > > emphasis on the individual and lots of emphasis on the whole, the people. > > What else...religion is put in a negative light...it follows Marx pretty > > closely and gives you a good idea of what's going on in Russia at the time > > (1925). > > Another film which might fit is Citizen Kane...this was shown during > > a > > class I took called The Modern World where we studied Marxism and > > capitalism for the most part. It shows the rise and fall of the central > > character...a result of capitalistic greed, I suppose. Gaining the world > > but losing your soul type theme. Both of these two films are generally > > acknowledged as two of the ten best films of all time...so they're worth > > watching. > > > > -Sociology of Deviance and Crime: Let's see...I am a Fugitive from > > a > > Chain Gang (1932) is something I saw recently in my Film History class. > > It's well done and the main character is a sympathetic one. He's back > > from > > WWI and feels like he needs more out of life so he leaves home and ends up > > in prison for something he's innocent of...some parallels between the army > > and prison. Then there's Shawshank Redemption, which is one of my > > favorite > > movies of all time. Again, the main character is innocent of his crime > > and > > uses his mind and his patience to escape. > > > > -Feminist Sociology: The Piano (1993) was shown in one of my > > Humanities > > classes a couple of years ago. The topic of the class was pretty much > > feminism, even though that wasn't the class description. The director is > > female (Jane Campion), and it's a really well done film set in the 1800s? > > about a New Zealand pioneer who mail-orders a bride type thing. She > > consoles herself with her piano...an interesting film...definitely fits > > the > > category > > > > -Sociology of Nationalism: some propoganda films here would be > > good. The > > Eternal Jew done by Franz? Hipler is pure German propoganda...scary stuff. > > Then there's the counter to that, American propoganda: the Why We Fight > > series directed by Frank Capra...an attempt to inform and motivate > > American > > soldiers > > > > -Sociology of Urbanization: the film I first thought of was > > Koyaanisquasti (sp?). It's a really well done montage film which uses > > time > > lapse cinematography. There's no dialogue and no actors. The title means > > "life out of balance"...a Hopi Indian term. Um, it was produced by > > Francis > > Ford Coppola, but it's very difficult to find, at least here in old Va. > > Not your run-of-the-mill film, but I really respect it. > > If you're looking for something more "normal," try Crocodile Dundee. > > Oh, and then there's The Gods Must Be Crazy...I guess that fits more > > under > > the geographical area category. It's a comedy about a rare African > > culture > > (the one that uses that clicking language...can't remember what it's > > called). hilarious. > > Well that's all I could think of off the top of my head...hope it > > helps. > > I'd actually like to have the job of going out and watching films that fit > > your categories (I know that sounds weird, but I love film, what can I > > say). Good luck > > Oh, one more. For Race and Ethnicity check out Missippi Burning > > with Gene > > Hackman...good film. > > Luke > > <llindhje-AT-vt.edu> > > > > > > > > --- from list film-theory-AT-lists.village.virginia.edu --- > > > > > --- from list film-theory-AT-lists.village.virginia.edu --- > --- from list film-theory-AT-lists.village.virginia.edu ---
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