From: "hugh bone" <hbone-AT-optonline.net>
Subject: Traffic
Date: Tue, 9 Jan 2001 10:57:11 -0500



Jenna,

For a negative review:

http://www.sfbg.com/AandE/35/14/heavy.html

~~~~~~~~~~~~~~~~~~~~~~~>>
>
> On another topic, has anyone seen "Traffic?"  I'm very intrigued, but need
> an honest opinion.  Don't want to be a victim of my own epxectations.
>
> thanks,
> jenna
>
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> > ----- Original Message -----
> > From: Lita Coucher <lita_coucher-AT-hotmail.com>
> > To: <film-theory-AT-lists.village.virginia.edu>
> > Sent: Sunday, January 07, 2001 3:42 PM
> > Subject: Re: What's wrong with mainstream sensibilities?
> >
> >
> > >
> > >
> > >
> > > > LC,
> > > >
> > > > Not to be finicky about words,
> > >
> > > Hugh,
> > > PLEASE be finicky about words.  That's what I'm trying to figure out!
> > >
> > > but your illustration seems to be
> > > >
> > > > 1) a contrast of feeling, emotion, one's personal reaction to, and
> > > enjoyment
> > > > of a movie, vs.
> > > >
> > > >  2) logical definition of its story, characters, cinematography
etc.,
> > and
> > > > how they relate to each other.
> > > >
> > > > Two people may not agree about the emotional impact of a scene, a
> > segment
> > > or
> > > > the entire movie, but are likely to agree about the facts
> > > > of item 2.
> > >
> > > Yes.  I agree.  I'm in a bind about seperating emotional response from
> the
> > > functionality of the devices used to illicit that response.
> > > lc
> > > >
> > > > HB
> > > > ~~~~~~~~~~~~~~~~~~
> > > >
> > > >
> > > > > > And about what Lita was asking... I think in some cases it's
more
> > > > > important
> > > > > > to have opinions than to analyze. I, mean, you can understand
> > > something
> > > > > and
> > > > > > still don't like it. I remember an article by a music critic of
> the
> > > New
> > > > > York
> > > > > > Times saying just that... that he understood Schoenberg but
still
> > > didn't
> > > > > > like him.
> > > > >
> > > > > Right.  My example of this is "Fight Club."  I really found it
> > > distasteful
> > > > > and grotesque, but i recognized it's value as a film.  I enjoyed
> > getting
> > > > > into the themes, subplot, etc.  Film is such a subjective realm, i
> > think
> > > > > it's almost impossible to seperate completely the opinion from the
> > > > analysis.
> > > > > It's difficult, at the very least.
> > > > >
> > > > > LC
> > > > > >
> > > > > > cheers,
> > > > > > Manuel
> > > > > >
> > > > > >
> > > > > >
> > > > > >      --- from list film-theory-AT-lists.village.virginia.edu ---
> > > > > >
> > > > >
> > > > >
> > > > >      --- from list film-theory-AT-lists.village.virginia.edu ---
> > > > >
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> > > >
> > > >      --- from list film-theory-AT-lists.village.virginia.edu ---
> > > >
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> > >
> > >      --- from list film-theory-AT-lists.village.virginia.edu ---
> > >
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> >      --- from list film-theory-AT-lists.village.virginia.edu ---
> >
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>      --- from list film-theory-AT-lists.village.virginia.edu ---
>




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