Subject: Re: Panopticon Reversed From: Stephen Thorpe <S.Thorpe-AT-griffith.edu.au> Date: Mon, 10 May 2004 18:59:30 +1000 It is not often discussed that Bentham's design included an elaborate tunnel system whereby people from society could come into the structure and emerge in the central tower to watch the prisoners and also the guards watching the prisoners). Not sure whether this connects functionally with the ritual display of the mad for profit that Foucault talks about in chapter 2 of Madness and Civilization, but my sense is that the gaze was never understood to be unidimensional (hence "panopticon reversed" doesn't work for me as a descriptor). I like Lynn Fendler's concept of the "ricochet of the gaze" here as a way of underscoring that Bentham's plan was to govern *all* of society through architectural technology, not merely the imprisoned. Does this mean that the new 'feral' media forms that evade politico-military censorship and give possibility to new economies of gaze are a sign of post- or retro-panoptic society, or maybe rather a sign of panoptic work par excellence? "max neill" <meneilu2-AT-student.ucsm.ac.uk> Sent by: owner-foucault-AT-lists.village.Virginia.EDU 10/05/2004 05:34 AM Please respond to foucault To: foucault-AT-lists.village.Virginia.EDU cc: Subject: Panopticon Reversed Any opinions on the apparent reversal of the 'Panopticon Effect' at Abu Ghraib, where now the gaze of the world is focussed on the jailers? "We speak and the word goes beyond us to consequences and ends which we had not conceived of" Gadamer --- StripMime Warning -- MIME attachments removed --- This message may have contained attachments which were removed. Sorry, we do not allow attachments on this list. --- StripMime Report -- processed MIME parts --- multipart/alternative text/plain (text body -- kept) text/html ---
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