Date: Fri, 16 Nov 2001 20:59:16 -0800 (PST) From: Mike Reynolds <aquaviva11-AT-yahoo.com> Subject: Nov. 15-19 On the etymology of chih and chan, see Weiger, Chinese Characters: Their Origin, Etymology, History and Classification: A Thorough Study from Chinese Documents, Peking: Editions Henri Vetch, 1940, Lesson 112, and pp.581 & 571. Note that third tone chih also means 'measure of eight inches' and that under chan/ch'an (p.571) we find jen (fourth tone) 'a measure of eight feet.' The Black Tortoise (Prehistoric Period, 15,600 B.C.) Hiouen-wou, has jin-sing as an asterism just above the Tortoise, while the eight-star figure of a reverse swastika is below the Tortoise and the ecliptic. This eight-star figure is also a Buddhist figure: wan 'ten-thousand' resonating with the 'ten-thousand things' or 'myriad things'. Wan is also 'snail'. This jin-sing appears again in Confucian texts regarding the treatise Jen-shou: jen-sing, to which I'll add excerpts in part II of Kristevan jen/Confucian jen. What should be included in an analysis of chih and chan is the Chinese particle for gate(men)as 'palace gate' and the two mouths within this gate symbol. Karlgren's Grammatica Serica and the graphs contained therein, complete a short expedition into the meanings of Archaic Chinese. This double voice symbol then leads to passages in Irigaray and Deleuze, as well as Catherine Chalier's very fine 'Exteriority of the Feminine' in Feminist Interpretations of Emmanuel Levinas. What will also be shown here is that the moon became sun. Being mirror-like, it then has affinity to Lacan's lozenge. Being a split-voice image, toward place-names of rivers, shamanic costumes(jen as muskrat or 'water-splitter') and an old Indian story 'Split-his-own-head'. 'The human, or the nomad, has left without reserves...thus pronounces the interval of a space that is oriented from the Same toward the Other.' (Chalier) 'Just this which is cosmically ready-to-hand, which removes itself -- differently from elements of nature presentat hand -- from human control, allows a specific mode of feeling to become visible in the extension of Dasein corresponding to what we term endogeneity: Dasein 'happens' in [its psychic-physically simultaneous rhythmic, periodic, and phasic processes], exemplary in the stages of maturation.' (Hubertus Tellenbach, Melancholy: Endogenity as Origin) And a disciple of Nietzsche, Ludwig Klages, Tellenbach quotes, describing, '...that primal feeling through which human regulation comes under the sway of daemonic rhythm, dissolving the vitreous resistance of law in the undulating ether of the cosmic pulse.' (ibid.) '..the archaic and primitive characteristics of the image preserve that connection.' (Davis, Deracination) 'Appraisal: As yin and yang start to transform, they change to red and white. Fathoming: Yin turns red and yang turns white. Means: Reaching their limits, they then reverse. Althought the exact significance of this color change is lost to us, the verses probably use an apparent contradiction in the traditional correlations of color magic to suggestan unhealthy disjunction in conventional values. In China, the color white is always used for mourning while the red of the newborn babe is a sign of health and virility. In the same system that correlates winter and yin with snowy white, summer is associated with red, with heat, and with yang ch'i. Accordingly, as summer yields to winter, red pales to white; as winter reigns supreme, what is fundamentally white glows with ruddy health. With normal values reversed, a new cycle is about to begin. Still such dramatic disjunctions and metamorphoses are inherently dangerous. The wise person takes warning.' [Taixuan, Nylan trans., The Elemental Changes] But this is also Edward Schafers' 'Fashioner of Mutations'[Pacing the Void] as well as... A single bloom of beguiling red, an azure almost dissolving. Shining back the glory of spring, Shaming the frost and the snow. The Artist of Change wants only to show a novelty of craft and will not allow these idle flowers even the briefest respite. [Peonies on a Winter Day] I'll simply add that the decree from medieval Notre Dame against the wearing of the color orange and beaked shoes is reminiscent of the blooms of wild carrot (Daucus carota), which sometimes will show, amidst their many snowy-white flowerlets, a single red one. __________________________________________________ Do You Yahoo!? Find the one for you at Yahoo! Personals http://personals.yahoo.com --- from list french-feminism-AT-lists.village.virginia.edu ---
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