Date: Sun, 25 Nov 2001 13:32:46 +0000 From: Hilary Robinson <h.robinson-AT-ulst.ac.uk> Subject: Re: Beryl Chalk Re: irigaray & colour <!doctype html public "-//W3C//DTD W3 HTML//EN"> <html><head><style type="text/css"><!-- blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 } --></style><title>Re: Beryl Chalk Re: irigaray & colour</title></head><body> <div>Beryl, I've had a few publications based on my PhD, most of them touch upon intersubjectivity through the mediation of the artwork in some shape or form - in particular the following. They are very much written from the point of having trained as an artist and now teaching art theory.</div> <div>best,</div> <div>hilary:</div> <div><br></div> <div><font face="Geneva" size="+1" color="#000000">2000<b><br> </b>'The Morphology of the Mucous: Irigarayan possibilities in the Material Practice of Art', in:<i> Differential Aesthetics</i>, ed. Penny Florence and Nicola Foster (Aldershot: Ashgate), pp 260-276</font></div> <div><font face="Geneva" size="+1" color="#000000">'Whose Beauty? Women, Art, and Inter-subjectivity in Luce Irigaray's Writings' in<i> Beauty Matters</i>, ed. Peg Brand (Indiana University Press), pp. 224-251</font></div> <div><font face="Geneva" size="+1" color="#000000">'Disruptive women artists: an Irigarayan reading of Irish visual culture',<i>Irish Studies Review</i>, v.8, n.1, pp. 57-72</font></div> <div><font face="Geneva" size="+1" color="#000000">1996</font></div> <div><font face="Geneva" size="+1" color="#000000">'Louise Bourgeois's "Cells": gesturing towards the mother', in Ian Cole (ed): Museum of Modern Art Papers vol 1: Louise Bourgeois, Oxford: Museum of Modern Art, pp 21 - 30</font></div> <div><br></div> <blockquote type="cite" cite>I am very interested in the idea of intersubjectivity and art. Has anyone<br> published? or written anything they could post to me? bchalk-AT-hotmix.com.au<br> thanks<br> Beryl<br> PhD candidate UWA<br> <br> > > My own thesis was on the implications of Irigaray's work for<br> > > contemporary feminist art practices and criticism. In begining to<br> > > theorize the artwork as mediation between artist and audience, in an<br> > > intersubjective relation (rather than, as is usual in art theory,<br> > > reading the artwork as an object in subject-object relation to both<br> > > artist and audience - or artwork as symptom) the work on buddhism was<br> > > very useful.<br> > ><br> > ><br> ><br> ><br> > --- from list french-feminism-AT-lists.village.virginia.edu ---<br> ><br> <br> <br> <br> --- from list french-feminism-AT-lists.village.virginia.edu ---</blockquote> <div><br></div> <div><br></div> <x-sigsep><pre>-- </pre></x-sigsep> <div>_______________________________<br> <br> Dr. Hilary Robinson<br> School of Art and Design<br> University of Ulster at Belfast<br> York Street<br> Belfast BT15 1ED<br> Northern Ireland<br> UK<br> <br> <h.robinson-AT-ulst.ac.uk><br> direct phone/fax: (+44) (0) 28 9026.7291)<br> ________________________________<br> <br> Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. Hate multiplies hate, violence multiplies violence, and toughness multiplies toughness in a descending spiral of destruction....The chain reaction of evil--hate begetting hate, wars producing more wars--must be broken, or we shall be plunged into the dark abyss of annihilation.<br> <span ></span > <span ></span > <span ></span > <span ></span > <span ></span > <span ></span > <span ></span > <span ></span > <span ></span> -- Martin Luther King Jn.</div> </body> </html> --- from list french-feminism-AT-lists.village.virginia.edu ---
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