File spoon-archives/french-feminism.archive/french-feminism_2001/french-feminism.0111, message 21


Date: Sun, 25 Nov 2001 13:32:46 +0000
From: Hilary Robinson <h.robinson-AT-ulst.ac.uk>
Subject: Re: Beryl Chalk Re: irigaray & colour


<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Beryl Chalk Re: irigaray &
colour</title></head><body>
<div>Beryl, I've had a few publications based on my PhD, most of them
touch upon intersubjectivity through the mediation of the artwork in
some shape or form - in particular the following. They are very much
written from the point of having trained as an artist and now teaching
art theory.</div>
<div>best,</div>
<div>hilary:</div>
<div><br></div>
<div><font face="Geneva" size="+1" color="#000000">2000<b><br>
</b>'The Morphology of the Mucous: Irigarayan possibilities in the
Material Practice of Art', in:<i> Differential Aesthetics</i>, ed.
Penny Florence and Nicola Foster (Aldershot: Ashgate), pp
260-276</font></div>
<div><font face="Geneva" size="+1" color="#000000">'Whose Beauty?
Women, Art, and Inter-subjectivity in Luce Irigaray's Writings'
in<i> Beauty Matters</i>, ed. Peg Brand (Indiana University Press),
pp. 224-251</font></div>
<div><font face="Geneva" size="+1" color="#000000">'Disruptive women
artists: an Irigarayan reading of Irish visual culture',<i>Irish
Studies Review</i>, v.8, n.1, pp. 57-72</font></div>
<div><font face="Geneva" size="+1" color="#000000">1996</font></div>
<div><font face="Geneva" size="+1" color="#000000">'Louise
Bourgeois's "Cells": gesturing towards the mother', in Ian
Cole (ed): Museum of Modern Art Papers vol 1: Louise Bourgeois,
Oxford: Museum of Modern Art, pp 21 - 30</font></div>
<div><br></div>
<blockquote type="cite" cite>I am very interested in the idea of
intersubjectivity and art. Has anyone<br>
published? or written anything they could post to me? 
bchalk-AT-hotmix.com.au<br>
thanks<br>
Beryl<br>
PhD candidate UWA<br>
<br>
> >  My own thesis was on the implications of Irigaray's
work for<br>
> > contemporary feminist art practices and criticism. In
begining to<br>
> > theorize the artwork as mediation between artist and
audience, in an<br>
> > intersubjective relation (rather than, as is usual in art
theory,<br>
> > reading the artwork as an object in subject-object relation
to both<br>
> > artist and audience - or artwork as symptom) the work on
buddhism was<br>
> > very useful.<br>
> ><br>
> ><br>
><br>
><br>
>      --- from list
french-feminism-AT-lists.village.virginia.edu ---<br>
><br>
<br>
<br>
<br>
     --- from list
french-feminism-AT-lists.village.virginia.edu ---</blockquote>
<div><br></div>
<div><br></div>
<x-sigsep><pre>-- 
</pre></x-sigsep>
<div>_______________________________<br>
<br>
Dr. Hilary Robinson<br>
School of Art and Design<br>
University of Ulster at Belfast<br>
York Street<br>
Belfast BT15 1ED<br>
Northern Ireland<br>
UK<br>
<br>
<h.robinson-AT-ulst.ac.uk><br>
direct phone/fax: (+44) (0) 28 9026.7291)<br>
________________________________<br>
<br>
Darkness cannot drive out darkness; only light can do that. Hate
cannot drive out hate; only love can do that. Hate multiplies hate,
violence multiplies violence, and toughness multiplies toughness in a
descending spiral of destruction....The chain reaction of evil--hate
begetting hate, wars producing more wars--must be broken, or we shall
be plunged into the dark abyss of annihilation.<br>
           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span
>           <span
></span>         -- Martin
Luther King Jn.</div>
</body>
</html>


     --- from list french-feminism-AT-lists.village.virginia.edu ---

   

Driftline Main Page

 

Display software: ArchTracker © Malgosia Askanas, 2000-2005