Date: Mon, 07 Dec 1998 16:49:10 -0500 (EST) From: mnunes-AT-gpc.peachnet.edu Subject: Re: THE Metanarrative Jumping in, without having followed the thread... > > Huechroma-AT-aol.com wrote: > > I'm also confused. I think a previous post related performativity to > Austin. In Le Differend it is related to phrases such as "the meeting > is open", or "war is declared". It's important to distinguish between performativity as Lyotard uses it and the performative speech act. Performativity functions as a metaprescriptive for the language game of science in a world of computer networks and databases. Performatives are a class of speech acts that have a specific set of pragmatic determinants (how they define the relation between sender, addressee and referent). See pp 9-10. Performativity, or the "logic of maximum performance" has some relation to performative speech acts, but it is only at the level of legitimation, not utterance. In other words: Austin spends a lot of time distinguishing between true/false claims in langauge and felicity/infelicity assessments in performatives. A performative is not "false" if it goes awry: it "misfires." To understand why a performative succeeds or fails, one would have to be able to understand what Austin terms "the total speech act in the total speech situation." Poststructuralists nod at this point; of course, this "total" can never be determined. But cybernetic theories of language don't really have a problem with this. Why can't we determine the total? We will simply define all that indeterminate/interminable stuff as "noise.... Do you see how a "logic of maximum performance" starts to emerge out of this? Lyotard, of course, is not thrilled with the notion of performativity *as defined by a logic of maximum performance*. Instead, he imagines how with all this information available "we" might be able to search out the paralogical--to identify the metaprescriptives and suggest ways and means for adopting new ones: ones based on "openness" and "justice" rather than communicability. That's how i interpret the last few pages. I hope that clears up the performative/performativity stuff. --mark
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