Date: Mon, 20 Aug 2001 19:23:02 -0500 Subject: Re: Sublime Empire Steve/Hugh, am writing fast tonight, little time. While I agree with you that journalism isn't philosophical, I would also argue it has its place. In the background of this discussion is the conversation Hugh and I had previously about Richard Rorty. He wrote a article in the Nation a few years ago and argued there for the need of the left in America to put together a concerete program. I think you could argue a similar tactic makes sense globally. By the way, I didn't mean this as a criticism of empire. One of the many things I admire about the book is its philosophical sense. eric steve.devos-AT-krokodile.com wrote: > > Eric > Far be it from to correct with 'in these times' but really how'd they expect > to change the world if they don't know the its origins? All of the new-left > ideas mentioned in the paragraph below derive from the political groups that > people like Negri, Guattari, Gorz and others were part of in the 60s > onwards... > > Mary Murphy&Salstrand wrote: > > > "To the usual calls for direct democracy, the leitmotif of the > > "anti-globalization" movement everywhere, they've made three major > > additions: A principle of global citizenship, the elimination of all > > controls over freedom of movement in the world (Ya Basta! especially has > > targetted immigration detention facilities): a universally guaranteed > > "basic income" to replace programs like welfare and unemployment > > (originally derived from the French MAUSS group); and free access to new > > technologies - in effect, extreme limits to the enforcement of > > intellectual property right. (Most Americans assume these ideas derive > > from Michael Hardt and Antonio Negri's book "Empire." They don't. They > > got them from Ya Basta!) > > > > One of the surprizes for me in reading "Empire" was how little of the > > book was spent in describing this political program. Maybe twenty pages > > or so at the very end. And I agree, in some ways the above statement is > > better than Empire because it is more direct and concrete. > > I disagree - journalism is a short lived and usually irrelevant form of > knowledge transfer - it's never around long enough to change anything... the > direct and concrete statements above were derived from philosophical, social > and economic texts - it is the way of things for people to refuse the > intellectual roots of things. > > > Nonetheless I think the value of "Emmpire" lies not so much in the > > politics it offers, but in laying down the conditions of possibility (or > > is that virtuality?) that makes these politics real. It is something > > like a Kantian transcendental deduction, only in this case, the ground > > is below and immanent. Today the voice of god rises up from the ditch. > > > > There is great value in all this, even if there is no place on the earth > > where this value can be measured. It is beyond even the fulcrum of > > Archimedes. The terminology of the sublime is not used,however, the > > concept of Empire seems sublime because Empire is not a place. Empire > > is the non-localized space-time compression, a true u-topia. Today, we > > nomads are all real nowhere cyborgs. We don't go in circles. We move in > > mobeus strips of libidinal flesh. > > > > What this Marxist-Deleuzian tendency gives us is a politics of the > > sublime (even though we know there is no politics of the sublime) and a > > new way to understand the postmodern, not as the exhaustion of politics, > > not as the mourning of lost forms of politics, not as the triumph of > > neo-liberalism, but as a Protean form of being against, the Great > > Refusal, a nondialectical subjectivity within the multitude which > > resists and resists again. By the very fact of this resistance it causes > > a response to occur which attempts to re-control and reterritorialize. > > The masters experience the perpetual belatedness of recapture. The > > paralogical is furtive and agile like quicksilver. > > > > History is not at an end. It has merely become sublime. Long live > > history. The postmodern is the hydra which all the labors of Hercules > > cannot destroy. > > > > eric
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