Date: Sun, 11 Nov 2001 13:01:33 -0600 Subject: Re: The Sublime walter: Please continue to expand on your insights. I am very intrigued with what you are saying and I, for one, would be willing to obtain your book and read it, in order that we can explore these issues in greater depth. For the record, I wasn't making the statement that Hiroshima is sublime. ("Thus the vast ocean heaved up by storms cannot be called sublime" -COJ book II) As any good Kantian could tell you, there are no sublime objects, only the differend of competing faculties. In my earlier post, I attempted to situate the experiencing of a historical sublime within the context of the witnesses/survivors. I am sorry if this was made unclear. Perhaps, one possible way in for this group would be to place your reconstruction of Kant's delineation of the psyche in relation to what Lyotard is saying. What do you see as the differences/similarities in your own appoach? I would particularly like to hear more about the way Kant's discovery led to the Bomb in particular. (didn't Heidegger have a somewhat similar evaluation of Kant?) I would also like to hear more about your positioning of the tragic as the master narrative of our history. My own disposition is certainly melancholy enough, but I must tell you I remain somewhat suspicious of these kinds of frames. To speak in a very banal way, I could not help but notice, for all the subliminity and seriousness of 911, after a week, the giggles began to roll in. All these exaggerated heroic responses to the tragedy began to appear slightly ridiculous.... (gag me with a flag!) What is that quote (butchered here somewhat) - history is a tragedy for those who think, a comedy for those who feel. This is perhaps not quite right, but it points to some of the complications felt in response to history by a Kynic like me. eric Your comments on 'Sublime Thanatos' are certainly relevant to this disucssion. Lyotard certainly discusses this and Badiou also critiques the generalized ethics of human rights as being a kind of death wish.
Display software: ArchTracker © Malgosia Askanas, 2000-2005