Date: Sun, 18 Nov 2001 12:40:04 -0600 Subject: We have always been cyborgs Hugh, All: I was primarily responding to an argument you were making that implied that for states as well as individuals, only self-interest mattered, not ethics. I now recognize your point that you were only referring to states, not individuals, but isn't that the whole problem in connection with the US? America can never admit to itself it is merely operating to secure its own interests. It must always proclaim to the world instead that merely wishes to secure liberty and justice for all. This sums up America's ethical bad faith. Therefore, I want to plunge on with this discussion of interest versus ethics, especially since it is a major theme of the chapter in Badiou's Ethics whose content I just summarized. Certainly, what Badiou says is very contrary to our current conceptions. Beyond the false idealism I referred to above, there is also a popular culturalargument today that proclaims all ethics is simply a matter of self-interest. Whether this stems from the egoist philosophy of Ayn Rand or the enlightened individualism of contemporary capitalism, it seems to be at the very center of our current conception of self, one that is summarized in the slogan - Look out for number 1. The problem with such formulations is that they tend to operate with a very rigid conception of the self, as though nothing could be more certain than my own self-interest. In fact, however, as animals living in dynamic, uncertain environments, a certain amount of trial and error is often necessary to discover where our true interest lies. Part of the problem is that my self-interest today may not coincide with my self-interest tomorrow. Here ethics may have a place insofar as it keeps us open to a more fluid conception of my self than the popular conception of self allows. The heart of this contrary conception of ethics is implied in Nietzsche's rather gnomic formulation: "Become that which you are." In a similar way, I believe the concept of the sublime is intertwined with this ethics of the self, for very similar reasons. Although Badiou couches his argument in the language of truth, one could also say that the supplement to the situation is the sublime. The agitation of the differends produce first pain and then subsequent pleasure as we come to realize what Kant named our supersensible destiny, Badiou the Immortal, and Lacan the Real. What I also find interesting about this constellation of thought (and the argument Badiou makes regarding the ethic of truth) is that is also correlates nicely with another philosopher who is usually considered poles apart from the likes of Kant, Badiou, Lacan, Lyotard or Deleuze. I am referring to John Dewey, that great American philosopher whom Rorty once named, along with Heidegger and Wittgenstein, as one of the three great philosophers of the twentieth century. Against the argument that a "organism/environment is a necessary duality for being(s) to 'be'," Dewey's great insight was to recognize that this interaction forms a profound unity. As early as 1896, in his seminal essay, "The Reflex Arc Concept in Psychology" he critiqued the dualism implicit in the stimulus-response conception of ordinary psychology. He argued instead that the situatedness of the organism-acting-within-the-environment must be taken into account. The interests and habits of the organism select the stimuli rather than merely respond to it. Dewey saw, long before the concept of the feedback mechanism became fashionable, that the human animal is basically a loopy organism whose transactions with an environment make simultaneous changes upon both as a part of an ongoing process. The self is no longer regarded as a kind of subjective homunculus, but rather as a network server composed of looping branched distributions throughout the world forming an ecology of mind. The organism is truly placed within the world. The mature Dewey realized that a shared, fundamental process connected both art and science. He named this process Inquiry and he defined this as "the controlled or directed transformation of an indeterminate situation into one that is so determinate in its constituent distinctions and relations as to convert the elements of the original situation into a unified whole." Here again, I wish to point to the remarkable similarity between this conception and Badiou's ethics of truth. Dona Haraway and others who have exploited the sci-fi concept of the cyborg tend to view the cyborg as either an emerging or future trend. But, as Larry Hickman argues in his book "John Dewey's Pragmatic Technology" Dewey took the view (in a way that anticipated both Wittgenstein and Deleuze) that concepts and language, the basic materials of Inquiry, are themselves a form of technology; tools which are used to transform both a situation and ourselves. This leads to a very different conception of philosophy. The relationship between animal and machine, rather than being deplored nostalgically in a Heideggarian fashion or autonomously festishized in a Wired fashion can be viewed instead in an ethical/political fashion as a situation for which we must take responsibility. The Cyborg thereby becomes synonymous with Badiou's Immortal. In truth, we have always been cyborgs. The ethical maxim of a cyborg is that electric androids must dream of philosophy in order to not remain as sheep. For the history of our so-called civilization is merely a series of footnotes to the domestication of fire. Home has been unheimlich ever since. This uncanny juxtaposition of intimacy with the volatile has meant that something sublime emerged from the transformation of hominids into cyborgs, even though it would take several milleniums for the process to be completed. The concept of the cyborg is simply the conceptual personae of fire in the sense that it is a mask for Prometheus, that primal cyborg. Cyborgs are the true nomads. For they understand what being a nomad truly means. It is to be always on the move, even as you remain in place. A cyborg is a stationary perpetual motion machine, an electronic sheep who dreams of becoming an Immortal. eric
Display software: ArchTracker © Malgosia Askanas, 2000-2005