File spoon-archives/lyotard.archive/lyotard_2002/lyotard.0203, message 11


Date: Tue, 12 Mar 2002 20:45:36 +0000
From: "steve.devos" <steve.devos-AT-krokodile.com>
Subject: Naomi Klein: Brand




  The4 below is from the CSL list - enjoy...

s

Published on Sunday, March 10, 2002 in the Los Angeles Times
Brand USA
America's Attempt to Market Itself Abroad Using Advertising Principles is
Destined to Fail
by Naomi Klein TORONTO -- When the White House decided it was time to
address the rising tides of anti-Americanism around the world, it didn't
look to a career diplomat for help. Instead, in keeping with the Bush
administration's philosophy that anything the public sector can do the
private sector can do better, it hired one of Madison Avenue's top brand
managers.
As undersecretary of state for public diplomacy and public affairs,
Charlotte Beers' assignment was not to improve relations with other
countries but rather to perform an overhaul of the U.S. image abroad. Beers
had no previous State Department experience, but she had held the top job at
both the J. Walter Thompson and Ogilvy & Mather ad agencies, and she's built
brands for everything from dog food to power dril
ls.
Now she was being asked to work her magic on the greatest branding challenge
of all: to sell the United States and its war on terrorism to an
increasingly hostile world. The appointment of an ad woman to this post
understandably raised some criticism, but Secretary of State Colin L. Powell
shrugged it off. "There is nothing wrong with getting somebody who knows how
to sell something. We are selling a product. We need someone who can
re-brand American foreign policy, re-brand diplomacy." Besides, he said,
"She got me to buy Uncle Ben's rice." So why, only five months in, does the
campaign for a new and improved Brand USA seem in disarray? Several of its
public service announcements have been exposed for playing fast and loose
with the facts. And when Beers went on a mission to Egypt in January to
improve the image of the U.S. among Arab "opinion-makers," it didn't go
well. Muhammad Abdel Hadi, an editor at the newspaper Al Ahram, left his
meeting with Beers frustrated that
 she seemed more interested in talking
about vague American values than about specific U.S. policies. "No matter
how hard you try to make them understand," he said, "they don't."
The misunderstanding likely stemmed from the fact that Beers views the
United States' tattered international image as little more than a
communications problem. Somehow, despite all the global culture pouring out
of New York, Los Angeles and Atlanta, despite the fact that you can watch
CNN in Cairo and Black Hawk Down in Mogadishu, America still hasn't managed,
in Beers' words, to "get out there and tell our story." In fact, the problem
is just the opposite: America's marketing of itself has been too effective.
Schoolchildren can recite its claims to democracy, liberty and equal
opportunity as readily as they can associate McDonald's with family fun and
Nike with athletic prowess. And they expect the U.S. to live up to its
promises.
If they are angry, as millions clearly are, it's because they have s
een
those promises betrayed by U.S. policy. Despite President Bush's insistence
that America's enemies resent its liberties, most critics of the U.S. don't
actually object to America's stated values. Instead, they point to U.S.
unilateralism in the face of international laws, widening wealth
disparities, crackdowns on immigrants and human rights violations--most
recently in Guantanamo Bay. The anger comes not only from the facts of each
case but also from a clear perception of false advertising. In other words,
America's problem is not with its brand--which could scarcely be
stronger--but with its product.
There is another, more profound obstacle facing the relaunch of Brand USA,
and it has to do with the nature of branding itself. Successful branding,
Allen Rosenshine, chairman and CEO of BBDO Worldwide, recently wrote in
Advertising Age, "requires a carefully crafted message delivered with
consistency and discipline." Quite true. But the values Beers is charged
with selling
 are democracy and diversity, values that are profoundly
incompatible with this "consistency and discipline." Add to this the fact
that many of America's staunchest critics already feel bullied into
conformity by the U.S. government (bristling at phrases like "rogue state"),
and America's branding campaign could well backfire, and backfire badly.
In the corporate world, once a "brand identity" is settled upon by the head
office, it is enforced with military precision throughout a company's
operations. The brand identity may be tailored to accommodate local language
and cultural preferences (like McDonald's serving pasta in Italy), but its
core features--aesthetic, message, logo--remain unchanged.
This consistency is what brand managers like to call "the promise" of a
brand: It's a pledge that wherever you go in the world, your experience at
Wal-Mart, Holiday Inn or a Disney theme park will be comfortable and
familiar. Anything that threatens this homogeneity dilutes a company
's
overall strength. That's why the flip side of enthusiastically flogging a
brand is aggressively prosecuting anyone who tries to mess with it, whether
by pirating its trademarks or by spreading unwanted information about the
brand on the Internet.
At its core, branding is about rigorously controlled one-way messages, sent
out in their glossiest form, then hermetically sealed off from those who
would turn that corporate monologue into a social dialogue. The most
important tools in launching a strong brand may be research, creativity and
design, but after that, libel and copyright laws are a brand's best friends.

When brand managers transfer their skills from the corporate to the
political world, they invariably bring this fanaticism for homogeneity with
them. For instance, when Wally Olins, co-founder of the Wolff Olins brand
consultancy, was asked for his take on America's image problem, he
complained that people don't have a single clear idea about what the country
stands
 for, but rather have dozens if not hundreds of ideas that "are mixed
up in people's heads in a most extraordinary way. So you will often find
people both admiring and abusing America, even in the same sentence."
>From a branding perspective, it would certainly be tiresome if we found
ourselves simultaneously admiring and abusing our laundry detergent. But
when it comes to our relationship with governments, particularly the
government of the most powerful and richest nation in the world, surely some
complexity is in order. Having conflicting views about the U.S.--admiring
its creativity, for instance, but resenting its double standards--doesn't
mean you are "mixed up," to use Mr Olins' phrase, it means you have been
paying attention.
Besides, much of the anger directed at the U.S. stems from a belief--voiced
as readily in Argentina as in France, in India as in Saudi Arabia--that the
U.S. already demands far too much "consistency and discipline" from other
nations; that ben
eath its stated commitment to democracy and sovereignty, it
is deeply intolerant of deviations from the economic model known as the "the
Washington Consensus." Whether these policies, so beneficial to foreign
investors, are enforced by the Washington-based International Monetary Fund
or through international trade agreements, the U.S.'s critics generally feel
that the world is already far too influenced by America's brand of
governance (not to mention America's brands).
There is another reason to be wary of mixing the logic of branding with the
practice of governance. When companies try to implement global image
consistency, they look like generic franchises. But when governments do the
same, they can look distinctly authoritarian. It's no coincidence that the
political leaders most preoccupied with branding themselves and their
parties were also allergic to democracy and diversity. Think Mao Tse-tung's
giant murals and red books, and yes, think Adolf Hitler, a man utterly
ob
sessed with purity of image: within his party, his country, his race.
Historically, this has been the ugly flip side of politicians striving for
consistency of brand: centralized information, state controlled media,
reeducation camps, purging of dissidents and much worse.
Democracy, thankfully, has other ideas. Unlike strong brands, which are
predictable and disciplined, democracy is messy and fractious, if not
outright rebellious. Beers and her colleagues may have convinced Colin
Powell to buy Uncle Ben's by creating a comforting brand image, but the
United States is not made up of identical grains of rice or assembly-line
hamburgers or Gap khakis.
Its strongest "brand attribute," to use a term from Beers' world, is its
embrace of diversity, a value Beers is now, ironically, attempting to stamp
with cookie-cutter uniformity around the world. The task is not only futile
but dangerous: brand consistency and true human diversity are
antithetical--one seeks sameness, the other c
elebrates difference; one fears
all unscripted messages, the other embraces debate and dissent.
Making his pitch for Brand USA in Beijing recently, President Bush argued
that "in a free society, diversity is not disorder. Debate is not strife."
The audience applauded politely. The message may have proved more persuasive
if those values were better reflected in the Bush administration's
communications with the outside world, both in its image and, more
importantly, in its policies.
Because as President Bush rightly points out, diversity and debate are the
lifeblood of liberty. And they are enemies of branding.
Naomi Klein is the author of "No Logo: Taking Aim at the Brand Bullies."
www.nologo.org <http://www.nologo.org> 


HTML VERSION:

The4 below is from the CSL list - enjoy...

s
Published on Sunday, March 10, 2002 in the Los Angeles Times
Brand USA
America's Attempt to Market Itself Abroad Using Advertising Principles is
Destined to Fail
by Naomi Klein TORONTO -- When the White House decided it was time to
address the rising tides of anti-Americanism around the world, it didn't
look to a career diplomat for help. Instead, in keeping with the Bush
administration's philosophy that anything the public sector can do the
private sector can do better, it hired one of Madison Avenue's top brand
managers.
As undersecretary of state for public diplomacy and public affairs,
Charlotte Beers' assignment was not to improve relations with other
countries but rather to perform an overhaul of the U.S. image abroad. Beers
had no previous State Department experience, but she had held the top job at
both the J. Walter Thompson and Ogilvy & Mather ad agencies, and she's built
brands for everything from dog food to power dril

ls.
Now she was being asked to work her magic on the greatest branding challenge
of all: to sell the United States and its war on terrorism to an
increasingly hostile world. The appointment of an ad woman to this post
understandably raised some criticism, but Secretary of State Colin L. Powell
shrugged it off. "There is nothing wrong with getting somebody who knows how
to sell something. We are selling a product. We need someone who can
re-brand American foreign policy, re-brand diplomacy." Besides, he said,
"She got me to buy Uncle Ben's rice." So why, only five months in, does the
campaign for a new and improved Brand USA seem in disarray? Several of its
public service announcements have been exposed for playing fast and loose
with the facts. And when Beers went on a mission to Egypt in January to
improve the image of the U.S. among Arab "opinion-makers," it didn't go
well. Muhammad Abdel Hadi, an editor at the newspaper Al Ahram, left his
meeting with Beers frustrated tha
t
 she seemed more interested in talking
about vague American values than about specific U.S. policies. "No matter
how hard you try to make them understand," he said, "they don't."
The misunderstanding likely stemmed from the fact that Beers views the
United States' tattered international image as little more than a
communications problem. Somehow, despite all the global culture pouring out
of New York, Los Angeles and Atlanta, despite the fact that you can watch
CNN in Cairo and Black Hawk Down in Mogadishu, America still hasn't managed,
in Beers' words, to "get out there and tell our story." In fact, the problem
is just the opposite: America's marketing of itself has been too effective.
Schoolchildren can recite its claims to democracy, liberty and equal
opportunity as readily as they can associate McDonald's with family fun and
Nike with athletic prowess. And they expect the U.S. to live up to its
promises.
If they are angry, as millions clearly are, it's because they have
 s
een
those promises betrayed by U.S. policy. Despite President Bush's insistence
that America's enemies resent its liberties, most critics of the U.S. don't
actually object to America's stated values. Instead, they point to U.S.
unilateralism in the face of international laws, widening wealth
disparities, crackdowns on immigrants and human rights violations--most
recently in Guantanamo Bay. The anger comes not only from the facts of each
case but also from a clear perception of false advertising. In other words,
America's problem is not with its brand--which could scarcely be
stronger--but with its product.
There is another, more profound obstacle facing the relaunch of Brand USA,
and it has to do with the nature of branding itself. Successful branding,
Allen Rosenshine, chairman and CEO of BBDO Worldwide, recently wrote in
Advertising Age, "requires a carefully crafted message delivered with
consistency and discipline." Quite true. But the values Beers is charged
with sell
ing
 are democracy and diversity, values that are profoundly
incompatible with this "consistency and discipline." Add to this the fact
that many of America's staunchest critics already feel bullied into
conformity by the U.S. government (bristling at phrases like "rogue state"),
and America's branding campaign could well backfire, and backfire badly.
In the corporate world, once a "brand identity" is settled upon by the head
office, it is enforced with military precision throughout a company's
operations. The brand identity may be tailored to accommodate local language
and cultural preferences (like McDonald's serving pasta in Italy), but its
core features--aesthetic, message, logo--remain unchanged.
This consistency is what brand managers like to call "the promise" of a
brand: It's a pledge that wherever you go in the world, your experience at
Wal-Mart, Holiday Inn or a Disney theme park will be comfortable and
familiar. Anything that threatens this homogeneity dilutes a com
pany
's
overall strength. That's why the flip side of enthusiastically flogging a
brand is aggressively prosecuting anyone who tries to mess with it, whether
by pirating its trademarks or by spreading unwanted information about the
brand on the Internet.
At its core, branding is about rigorously controlled one-way messages, sent
out in their glossiest form, then hermetically sealed off from those who
would turn that corporate monologue into a social dialogue. The most
important tools in launching a strong brand may be research, creativity and
design, but after that, libel and copyright laws are a brand's best friends.

When brand managers transfer their skills from the corporate to the
political world, they invariably bring this fanaticism for homogeneity with
them. For instance, when Wally Olins, co-founder of the Wolff Olins brand
consultancy, was asked for his take on America's image problem, he
complained that people don't have a single clear idea about what the country
s
tands
 for, but rather have dozens if not hundreds of ideas that "are mixed
up in people's heads in a most extraordinary way. So you will often find
people both admiring and abusing America, even in the same sentence."
>From a branding perspective, it would certainly be tiresome if we found
ourselves simultaneously admiring and abusing our laundry detergent. But
when it comes to our relationship with governments, particularly the
government of the most powerful and richest nation in the world, surely some
complexity is in order. Having conflicting views about the U.S.--admiring
its creativity, for instance, but resenting its double standards--doesn't
mean you are "mixed up," to use Mr Olins' phrase, it means you have been
paying attention.
Besides, much of the anger directed at the U.S. stems from a belief--voiced
as readily in Argentina as in France, in India as in Saudi Arabia--that the
U.S. already demands far too much "consistency and discipline" from other
nations; th
at ben
eath its stated commitment to democracy and sovereignty, it
is deeply intolerant of deviations from the economic model known as the "the
Washington Consensus." Whether these policies, so beneficial to foreign
investors, are enforced by the Washington-based International Monetary Fund
or through international trade agreements, the U.S.'s critics generally feel
that the world is already far too influenced by America's brand of
governance (not to mention America's brands).
There is another reason to be wary of mixing the logic of branding with the
practice of governance. When companies try to implement global image
consistency, they look like generic franchises. But when governments do the
same, they can look distinctly authoritarian. It's no coincidence that the
political leaders most preoccupied with branding themselves and their
parties were also allergic to democracy and diversity. Think Mao Tse-tung's
giant murals and red books, and yes, think Adolf Hitler, a man utt
erly
ob
sessed with purity of image: within his party, his country, his race.
Historically, this has been the ugly flip side of politicians striving for
consistency of brand: centralized information, state controlled media,
reeducation camps, purging of dissidents and much worse.
Democracy, thankfully, has other ideas. Unlike strong brands, which are
predictable and disciplined, democracy is messy and fractious, if not
outright rebellious. Beers and her colleagues may have convinced Colin
Powell to buy Uncle Ben's by creating a comforting brand image, but the
United States is not made up of identical grains of rice or assembly-line
hamburgers or Gap khakis.
Its strongest "brand attribute," to use a term from Beers' world, is its
embrace of diversity, a value Beers is now, ironically, attempting to stamp
with cookie-cutter uniformity around the world. The task is not only futile
but dangerous: brand consistency and true human diversity are
antithetical--one seeks sameness, the
 other c
elebrates difference; one fears
all unscripted messages, the other embraces debate and dissent.
Making his pitch for Brand USA in Beijing recently, President Bush argued
that "in a free society, diversity is not disorder. Debate is not strife."
The audience applauded politely. The message may have proved more persuasive
if those values were better reflected in the Bush administration's
communications with the outside world, both in its image and, more
importantly, in its policies.
Because as President Bush rightly points out, diversity and debate are the
lifeblood of liberty. And they are enemies of branding.
Naomi Klein is the author of "No Logo: Taking Aim at the Brand Bullies."
www.nologo.org 


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