Date: Tue, 1 Apr 2003 15:30:35 -0500 From: Don Socha <socha1de-AT-cmich.edu> Subject: RE: silence Noise as “counterweight” to simulacrum. Interesting. Wonderful scholarship, Eric and a juicy read. I’m glad you bring up Wittgenstein. We cannot speak of the philosophic aspects of silence without mentioning his affirmation of the multiple and heterogeneous interpenetration of language and other aspects of social reality, prior to any questioning of representational adequacy. An aspect of the problem I'd like to consider, however, is that whatever noise is made seemingly inevitably implies other social practices and visa versa. Or, as Lyotard points out –commenting on Luce Irigaray’s rejection of the Lacanian distinction between the phallus as Symbolic operator and the penis as actual organ— little ground is found for asserting (as both simulacrum and the noise of revolution must) the primacy of the signifier, because, as I read him here, to do so is to “decide” to and for no logical reason, but simply in the name of a brutal imposition of power (“One of the Things at Stake in Women’s Struggles” _SubStance_ 20 [1978]: 9-17). To impose any symbolism onto the unconscious, in other words, consequently reconfirms power relations rather than suggesting alternatives. Therefore, if collective noise is ever to present a significant (which to me means transformative) challenge to the spectacle, ultimately (or perhaps first) we would also have to recognize such outbursts as capable of releasing us from the colonization of the unconscious by language, which only seems contradictory. Actually it's a fight each one of us might benifit from having waged more thoroughly against ourselves. And from another angle, with Baudrillard, it may be seen that assigning expenditure a socially “useful” role reinforces the very imperialism of language that stands in the way of that within us which is silent, elusive, and ungraspable, or what Bataille refers to as “vague inner movements, which depend on no object and have no intention” (IE), what might, in other words, be dispossessed of language, or those arenas of future possibility that language itself does little more than draw our attention away from. Can silence aid us here? I think so. If only because, as much as under any spectacle or simulacrum, we live under the laws of language itself without really contesting it. Don Eric writes: >Steve, > >Let me begin by stating if there is anything that gives me hope in this >dark time, it is the political resistance of men and women against the >US invasion of Iraq, in what promises to become a great global movement, >the emergence of a noisy, loud, speaking multitude. Therein lies the >best chance for the emergence of the real democracy-yet-to- be as a >counterweight to the US simulacrum. > >You asked, however, for something more philosophical about silence and I >tried to oblige. I recognize what you are analyzing in terms of a >silence politically constructed as a form of terror and the silence >between two people speaking that Hugh invokes is very different than the >silence of which I spoke. > >At the back of my mind was the early Wittgenstein of the Tractatus with >his famous ending that states: "Whereof one cannot speak, thereof one >must be silent." > >Of course, this is not meant as a political statement, but it flows from >what Wittgenstein regarded as the conditions of possibility for >language. He regarded the world as everything that is the case; and >what is the case are facts contained in logical space. What can be said >can be stated in logical propositions, pictures of facts that reflect >the world. What cannot be said (without falling into logical non-sense) >are statements that can only regard the world as a limited whole, while >standing beyond it. Such statements as ethics, metaphysics, aesthetics, >and religion all fall into this latter category. > >What is important to realize, however, is that Wittgenstein differed in >important ways from the Logical Positivism of the Vienna school. He >regarded such statements as important - indeed the only things that >mattered - but he felt that, properly speaking, such things could not be >said. They could only be shown. > >Of course, Frege was an influence here, but so was Kant by way of >Schopenhauer and the theory of indirect communication and 'truth as >subjectivity' coming from Kierkegaard. I believe in many respects, >Wittgenstein's epistemology in the Tractatus was actually a theory of >the sublime insofar as he believed there were truths that did not >present themselves as facts within the logical space of the world. Yet, >we must testify to them even if we cannot properly speak of them. > >Silence is not merely the pause contained within a dialogue. It is the >very backdrop of language itself. > >This leads me directly to Lyotard who was very influenced by >Wittgenstein, not so much from a logical point of view (which still >remains the orthodox reception) but who was intrigued by the >possibilities Wittgenstein offered for regarding political, ethical and >aesthetic issues in new ways. (Here too I side with the recent >criticism which tends to argue that the differences between the early >and late Wittgenstein are greatly exaggerated.) > >One could paraphrase Lyotard's approach to Wittgenstein by saying: >"Whereof one cannot speak, thereof one must be paralogical or artistic." >Lyotard never tires of stating that art attempts to present the >unpresentable and that, according to the conception of politics >discussed in "The Differend" the weak and marginalized are often >rendered voiceless because of the monopoly upon the protocol of >procedures for establishing reality. They must contest both the language >and that 'reality' which denies them their existence. > >As an example of this, it would seem ludicrous for the US to portray the >presence of troops and the ongoing missile penetration as an 'invasion >of Iraq'. Instead, it must be portrayed as 'Operation Freedom'. >Similarly, the Iraqis cannot be portrayed as 'freedom fighters' >protecting their homeland. They must be equated with terrorists who are >not even entitled to the standard conventions of warfare. > >Certainly, this use of language must be contested, just as the actions >themselves must be. What I want to point out, however, is that before >these differences (and the differend) can be articulated, it is preceded >by mute resistance before the words are found and spoken. Levinas speaks >of how the Jews obey the Torah before they understand it. In a like >manner, oppressed people say no before they even understand why. > >In Lyotard's development of Wittgenstein, the subject is seen as a kind >of centaur, composed of both human and inhuman(animal) components. Part >of our politics derives from testifying to this 'mute' nature, this >'voiceless' animality that has never been civilized, which remains >silent and intractable. > >For Lyotard, politics takes place at two levels - that of articulated >resistance and that of the anamnesis of the enfans - that beast of >burden who grounds our humanity in something that resembles quick sand. > >What is at stake is not merely the war, but the whole process of >complexification that threatens to undermine our human/inhuman nature. >A system that wants to organize time in the name of freedom and >democracy as system of discounted cash flows, a planetary machine of >exploitation versus an approach to time that remains open to the Event >that emerges from the white noise of quietus. As Joyce pointed out long >ago, what is required is "silence, exile, and cunning." > >My thesis about the philosophy of silence is this. Just as Wittgenstein >distinguished between language as a limited representational system and >the mystical (or silence) as something that stands outside it, so >Lyotard regards humanism as a limited representational system and the >enfans/intractable/inhuman as something that stands outside it, in a way >that is analogous to what Wittgenstein termed the mystical (or silence). > > >(Using a different register, that of Lacan and Freud, we might also >speak of this as the unconscious.) > >eric
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