Date: Tue, 28 Jan 1997 21:34:52 -0500 (EST) From: louisgodena-AT-ids.net (Louis R Godena) Subject: M-I: Martin Duberman on Paul Robeson May I enter a minor dissent from Lou (P)'s otherwise fine mini-bibliography on the cultural activities of the CP? I would at least approach Mr Duberman's biography of Robeson with great caution, if not outright disbelief. Robeson becomes, after about page 100, less a passionate and innovative Black revolutionary artist, and more a phlegmatic, "politically correct" handkerchief--head black academic "Big House" liberal. In real life, Duberman would not have been caught dead at the same town--and--gown--wine--and--cheese party with Paul Robeson, in this world or the next. This shameless parasite has always fed vicariously off of radicals like Robeson as long as they were safely dead and therefore suitable as untroublesome surrogates for his own non-threatening, non-conformist fantasies. When Duberman had the opportunity to stand up for Robeson's friend Herbert Aptheker in 1976 (the Yale History Department was trying to have Aptheker literally run off campus), he kept shut, his "radical" credentials savingly pristine for the next chic cause' celebre. In any event, Duberman gets matters large and small completely wrong in the life of Paul Robeson. Robeson's own autobiographical effort, *Here I Stand* (New York, 1957: Othello Associates and reprints) remains the best chronicle of his life and work to date. There, I feel better. Louis Godena --- from list marxism-international-AT-lists.village.virginia.edu ---
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