Date: Thu, 16 Mar 1995 13:04:29 +0900 From: Guy Yasko <guyy-AT-aqu.bekkoame.or.jp> Subject: determination, Williams, & literature While I agree with the direction of the recent exchange on determination, I think that the participants have neglected an important aspect of Williams' project, its setting in cultural and literary studies. In particular, I would like to defend Williams from Howie Chodos' charge that he sweeps theoretico- practical difficulties under a rug called totality. This may seem to be the case if we take the section on determination out of context, but Williams did not stop here. In a sense then, I'm really voicing a mild disagreement with Kenny Mostern about how much Williams to read. Leaving Williams' cultural and literary studies unconsidered means missing his point. Reading a few pages beyond the section on determination, in a discussion of the concept of hegemony, Williams writes: ..there is a whole different way of seing cultural activity, both as tradition and as practice. Cultural work and activity are not now, in any ordinary sense, a superstructure: not only becaue of the depth and thoroughness at which any culutural hegemony is lived, but because cultural tradition and practice are seen as much more than superstructural expressions -- reflections, mediations, or typifications -- of a formed social and economic structure. On the contrary, they are amnoy the basic processes of the formation itself and, further related to a much wider area of reality than the abstractions of 'social' and 'economic' experience. (Marxism & Lit. p.111). Or again, on a similar vein, Williams criticizes Marx's "fundamental error" in his classification in the Grundrisse of the piano maker as a productive worker and the pianist as unproductive (p.93). In so far as Williams considers the cultural and literary as forms of social practice, as forms of an encounter with totality, such an abbreviated reading amounts to a rejection of his social theory. Because the encounter with an open totality occurs on a shifting social terrain, there is no single way for Williams to chart this encounter. In _Marxism and Literature_, Williams runs through many of the terms of Marxist literary studies and casts aside the static and inflexible reading strategies for dynamic ones. As a result, his approach to literature resists closure and avoids degenerating into technique. Williams' approach renders a master theory of literature impossible: Bourgeois literature is indeed bourgeois literature, but it is not a block or type; it is an immense and varied practical consciousness, at every level from crude reproduction to permanently important articulation and formation. Similarly the practical consciousness, in such forms, of an alternative society can never be be reduced to a general block of the same dismissive or celebratory kind. Writing is often a new articulation and in effect a new formation, extending beyond its own modes. (p.211) Williams gives us strategies but not a manual for developing new formations; a good thing too, since Balzac is not Stendahl, much less Toni Morrisson or Thomas Pynchon. Taking inspiration from Lukacs' project while at the same time criticizing it, Williams tries to put writing and practice back together. As a party man, Lukacs was on one hand an orthodox marxist, but at the same time he developed an approach to literature that gave the bourgeois novels of the 19th c. great value. However, because the requirements of his day job with the Party differed substantially, one finds a separation and idealization of literature in Lukacs. For that reason, one gets the suspicion that Lukacs' analyses of literature compensates for the other part of his career. Williams and others have brought practice and literature together again, at least to their own satisfaction, but I think many outside cultural and literary studies remain suspicious. That's fine, but such suspicion puts those who agree with Williams on the basics in a difficult spot. It seems hard to deny the importance of literature and culture while at the same time agreeing with Williams on the nature of language and the relation between signification and production. --- from list marxism-AT-lists.village.virginia.edu --- ------------------
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